A24 and Joya partnered to create a scented candle collection inspired by nine classic film genres: Horror, Western, Thriller, Noir, Adventure, Musical, Sci-Fi, Rom-Com, and Fantasy. Each Genre Collection candle sold separately.
A24 is the New York City-based entertainment company behind Minari, Uncut Gems, The Lighthouse, The Farewell, Midsommar, Lady Bird, Moonlight, The Witch, The Lobster, Ex Machina and more.
No 10 Documentary – lotus, lavender, vinegar, Chinese coumarin, blackcurrant, brandy, oakmoss
Inspired By: university library archives, weathered newspaper clippings, a timeline of the events. found footage, the opinion of an expert, competing narratives, court documents (newly unsealed), the fog of memory, time.
Turn Every Page explores the remarkable fifty-year relationship between two literary legends, writer Robert Caro and his longtime editor Robert Gottlieb. Now 86, Caro is working to complete the final volume of his masterwork, The Years of Lyndon Johnson; Gottlieb, 91, waits to edit it. The task of finishing their life’s work looms before them. With humor and insight, this unique double portrait reveals the work habits, peculiarities and professional joys of these two ferocious intellects at the culmination of a journey that has consumed both their lives and impacted generations of politicians, activists, writers, and readers.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India’s biggest issues or within the conﬁnes of their homes, redefining what it means to be powerful.
Saw this at the Chez Artiste here in Denver last Thursday. Thumbs up.
Bob Marley: An extraordinary day
Forty years after the death of reggae singer Bob Marley, British writer and dub poet, Benjamin Zephaniah, remembers the day Jamaica came to a standstill for the singer’s funeral.
Bob Marley was laid to rest on the 21 May 1981, 11 days after dying from skin cancer.
The extraordinary day saw the island come together to mourn their most famous son – and to celebrate his life and work. He was more than a singer and writer to the people of Jamaica, he was a national hero and prophet with his beliefs in peaceful resolution and Rastafarian religion.
For days leading up to the funeral, tens of thousands of people filed past his body and on the day, thousands lined the streets of Kingston while the 12,000 capacity National Arena was jam-packed.
The outpouring of emotion on the day was unprecedented in Jamaican history with some comparing it to the kind of atmosphere at JFK or Martin Luther King’s funeral.
As Benjamin recalls with some of the people who were in Jamaica that day, everything stopped – even the Government’s budget statement was delayed by a week on the direction of the new Prime Minister.
The singer’s hits could be heard right across the island as sound systems pumped out songs like No Woman, No Cry, I Shot the Sherrif and One Love. Meanwhile two of his sons danced and the Wailers and the I3s performed.
Among those remembering this extraordinary day – I3s singer Judy Mowatt, reggae musician Michael Ibo Cooper, reporter Robin Denselow and Edward Williams who was a 13-year-old boy living in Kingston at the time.
I let a friend stay at my place for a while, and he was always the funniest person. He’d joke about stabbing me sometimes (sounds weird, but it was always in jest).
A couple years ago he got locked up for murder on a DNA match, for a crime he committed just before living at my place, where he stabbed a guy to death. He basically used my place to lie low, and joked about it openly to our clueless asses.
Wow… were there any close calls or anything worth mentioning that stood out after you found out he was a murderer?
Not with me but my best friend definitely almost got stabbed, in hindsight. They got into a really heated debate about something, and my friend is a super hot-headed Italian. They basically came close to fighting and the stabby dude kept telling him “I’ll shank you” when they were face to face.
Nobody at the time thought it was anything but a bullshit threat that didn’t mean anything. Turns out he meant it all along!
The Times of Harvey Milk – 1984
A documentary of the successful career and assassination of San Francisco’s first elected gay city supervisor.
Paris is Burning – 1990
A chronicle of New York’s drag scene in the 1980s, focusing on balls, voguing and the ambitions and dreams of those who gave the era its warmth and vitality.
Incident at Oglala – 1992
This film describes the events surrounding a 1975 shootout at the Pine Ridge reservation in S. Dakota where two FBI agents were killed.
Crumb – 1994
An intimate portrait of controversial cartoonist Robert Crumb and his traumatized family.
Hoop Dreams – 1994
A film following the lives of two inner-city Chicago boys who struggle to become college basketball players on the road to going professional.
Paradise Lost: The Child Murders at Robin Hood Hills – 1996
A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.
Filth and the Fury – 2000
A film about the career of the notorious punk rock band, the Sex Pistols.
Sunshine Hotel – 2001
A portrait of one of the few remaining men only ‘flophouses’ on New York City’s infamous skid row, the Bowery.
Enron: The Smartest Guys in the Room – 2005
A documentary about the Enron corporation, its faulty and corrupt business practices, and how they led to its fall.
I’m Not Your Negro – 2016
Writer James Baldwin tells the story of race in modern America with his unfinished novel, Remember This House.
Every seven years since 1964, in what’s known as the Up series, Granada Television has caught us up on the lives of 14 everyday people. The subjects of the documentary series were 7 years old when it began; in the latest installment, 56 Up, they are well into middle age.
Apted on what this experience has been like for him
“What can I say? I mean, it’s the favorite thing I’ve ever done, the thing I’m most proud of. It’s nerve-wracking, because you think you’re always going to blow it and you’ll wreck the whole thing. It seems fragile, and I’ve learned a lot of lessons about it. I’ve made mistakes on it and had to correct those mistakes. You know, particularly I got into a situation, I think, early on where I became judgmental about people — that if they didn’t agree with my standards of success, failure, happiness, whatever, then I would feel they were the lesser for it. And also I try to play God. I try to predict what might happen to people, and sort of set it all up for that. And I did that, and that was an embarrassing mistake. And I think what I’ve learned all the way through is the less I do, the better.”
“Yet once you’ve come to be part of this particular patch, you’ll never love another. Like loving a woman with a broken nose, you may well find lovelier lovelies. But never a lovely so real.”
― Nelson Algren, Chicago: City on the Make
In 1973, the commune experiment ended and Creem relocated into a proper office in Birmingham, one of Detroit’s toniest suburbs. Still, the city’s scrappy, underdog spirit remained a crucial element of the magazine’s aesthetic. “I don’t think it could have existed anywhere else,” Alice Cooper said in a phone interview. “In New York it would have been more sophisticated; in L.A. it would have been a lot slicker. Detroit was the perfect place for it, because it was somewhere between a teen magazine and Mad magazine and a hard rock magazine.”
The Wild Story of Creem, Once ‘America’s Only Rock ’n’ Roll Magazine’
A new documentary traces the rise and fall of the irreverent, boundary-smashing music publication where Lester Bangs did some of his most famous work.
Tracks the tumultuous rise of two talented musicians, Anton Newcombe, leader of the Brian Jonestown Massacre, and Courtney Taylor, leader of the Dandy Warhols, and dissects their star-crossed friendship and bitter rivalry. Both are hell-bent on staging a self-proclaimed revolution of the music industry. Through their loves and obsessions, gigs and recordings, arrests and death threats, uppers and downers, and ultimately to their chance at a piece of the profit-driven music business. How each handles his stab at “success” is where the relationship frays and burns.
“Watch over 200 free documentaries online. The documentaries cover everything from music and cinema, to literature, religion, politics and physics. They’re thought-provoking, eye-opening, and enlightening. For more great films, please visit our complete collection, 1,150 Free Movies Online: Great Classics, Indies, Noir, Westerns, etc..”
This looks like it might be a good resource.
How to watch the 20 best documentaries of the 2010s
In a decade where reality and fiction blurred, these movies showed us who we really are.
Alissa Wilkinson, Vox
20. Dawson City: Frozen Time
19. This Is Not a Film
18. Fire at Sea
15. Amazing Grace
13. The Work
12. In Transit
9. No Home Movie
8. Stories We Tell
7. I Am Not Your Negro
6. The Prison in 12 Landscapes
5. In Jackson Heights
4. Minding the Gap
3. Hale County This Morning, This Evening
2. The Act of Killing
The strange ironies of history aside, the star of the show is still the late Joe McCarthy — and what a performer he was! One can recall his jowly menace and five-o’clock shadow, but it is shocking to rediscover his nervous giggle and his showbiz personality. There was a strangely populist appeal working for McCarthy as the last apostle of direct democracy unsullied by all the confidential “arrangements” of the well born and well educated. When Ike plugged up his keyhole after throwing Stevens to the wolves outside the door, McCarthy was finished. Even the Trotskyists, who had toyed with the idea of using McCarthy as their golem against the Stalinists, were soon bored by Joe’s ludicrous inexactitude. Curiously, Joe’s medium was neither television nor radio, and he was hardly a Huey Long out on the stump. With succinctness as his forte and fear as his gospel, McCarthy may have been the first and last demagogue of the wire services.
—Village Voice, January 16, 1964
Andrew Sarris reviewing, Point of Order!, by Emil De Antonio and Daniel Talbot, from the book, Confessions of a Cultist: On the Cinema, 1955-1969