Faith means belief in something concerning which doubt is still theoretically possible; and as the test of belief is the willingness to act, one may say that faith is the readiness to act in a cause the prosperous issue of which is not certified to us in advance. It is in fact the same moral quality which we call courage in practical affairs… The Sentiment of Rationality, William James
Well I guess it would be nice
If I could touch your body
I know not everybody
Has got a body like you, uhh Faith, George Michael
GERMAN ORIGINAL LYRICS
Two, three, four
Eins, zwei drei
Na, es is nix dabei
Na, wenn ich euch erzähl’ die G’schicht’
Nichts desto trotz,
Ich bin es schon gewohnt
Im TV-Funk da läuft es nicht. –
Jah, sie war jung,
Das Herz so rein und weiß
Und jede Nacht hat ihren Preis,
Sie sagt: “Sugar Sweet,
Jah’ got me rapp’in to the heat!”
Ich verstehe, sie ist heiß,
Sie sagt:”Baby, look,
I miss my funky friends,”
Sie meint Jack und Joe und Jill.
Mein Funkverständnis,
Ja, das reicht zur Not,
Ich überreiss’, was sie jetzt will. –
Ich überleg’ bei mir,
Ihr’ Nas’n spricht dafür,
Währenddessen ich noch rauch’,
Die Special Places sind ihr wohlbekannt,
Ich mein’, sie führt ja U-Bahn auch.
Dort singen’s:
“Drah’ Di net um, oh oh oh
Schau, schau, der Kommissar geht um! oh oh oh
Er wird Dich anschau’n
Und du weißt warum.
Die Lebenslust bringt Di um.”
Alles klar, Herr Kommissar?
Hey man, wanna buy some stuff, man?
Did you ever rap that thing Jack?
So rap it to the beat!
Wir treffen Jill and Joe
Und dessen Bruder hip
Und auch den Rest der coolen Gang
Sie rappen hin, sie rappen her
Dazwischen Kratzen’s ab die Wänd’. –
Dieser Fall ist klar,
Lieber Herr Kommissar,
Auch wenn Sie and’rer Meinung sind:
Den Schnee auf dem wir alle
Talwärts fahr’n,
Kennt heute jedes Kind.
Jetzt das Kinderlied:
“Drah Di net um, oh oh oh
Schau, schau, der Kommissar geht um! oh oh oh
Er hat die Kraft und wir sind klein und dumm
Dieser Frust macht uns stumm.”
“Drah Di net um, oh oh oh
schau, schau, der Kommissar geht um! oh oh oh
Wenn er Dich anspricht
Und du weißt warum,
Sag eahm
Dein Leb’n bringt Di um.”
ENGLISH TRANSLATION
Two, three, four
One, two, three
Well, it doesn’t matter
Well, when I tell you the story
None the less,
I’m quite used to it
It won’t be running in TV-Funk (magazine). –
Yes, she was young,
Her heart so pure and white
And every night has its price.
She says: “Sugar Sweet,
ya got me rappin’ to the heat!”
I understand, she’s hot,
She says: “Baby, you know,
I miss my funky friends,”
She means Jack and Joe and Jill.
My understanding of funk,
yeah, it’ll do in a crunch,
I understand what she wants now. –
I think it over,
Her nose does the talking,
While I continue to smoke,
She knows the ‘Special Places’ very well;
I think she takes the metro, too.
There they’re singing:
“Don’t turn around, look, look,
the Kommissar is out and about!
He’ll keep his eye on you
and you know why.
Your zest for life will kill you.”
All right, Mr. Commissioner?
Hey man, wanna buy some stuff, man?
Did you ever rap that thing Jack?
So rap it to the beat!
We meet Jill and Joe
And his bother hip
And also the rest of the cool Gang
They rap to, they rap fro
In between they scrape it off the walls. –
This case is clear,
Dear Mr. Commissioner,
Even if you have a different opinion:
The snow on which we all
ski downhill,
every child knows.
Now the nursery rhyme:
“Don’t turn around, look, look,
the Kommissar is out and about!
He has the power and we’re little and dumb;
this frustration makes us mum.”
“Don’t turn around, look, look,
the Kommissar is out and about!
When he talks to you
and you know why,
tell him:
‘Your life is killing you.'”
Filmed at the Royal Geographical Society on 15th April 2014. The First World War is not called the Great War for nothing. It was the single most decisive event in modern history, as well as one of the bloodiest: by the time the war ended, some nine million soldiers had been killed. It was also a historical full stop, marking the definitive end of the Victorian era and the advent of a new age of uncertainty. By 1918, the old order had fallen: the Bolsheviks had seized power in Russia; the German, Austro-Hungarian and Ottoman empires had been destroyed; and even the victorious Allied powers had suffered devastating losses. It was supposed to be the war to end all wars. And yet barely two decades later, the world was again plunged into conflict. Little wonder then that historians still cannot agree whether Britain’s engagement was worth it.
Rhizome is a philosophical concept developed by Gilles Deleuze and Félix Guattari in their Capitalism and Schizophrenia (1972–1980) project. It is what Deleuze calls an “image of thought,” based on the botanical rhizome, that apprehends multiplicities.
There is no clean slate. No pure beginning. We never begin from nothing to form something. We always begin somewhere. There is no outside the fray of it all, no place free of culture, of personal experience, of history, of ourselves. We’re always somewhere doing something as this, whatever this is.
The direction is incisive, but there remains the incontrovertible fact that this is a filmed play that one should have seen on the stage. Failing that however, it is still a magnificent experience to watch Rachel Roberts and Albert Finney reenact on film the union, in George Meredith’s words, of this ever-diverse pair. It is acting at its very highest: anyone who cares a rap about performance penetrating to the essence of humanity owes himself this experience. Watch Finney change from act to act (the movie preserves the act division): he goes from a baffled but still belligerent young husband to a cocky, irresponsible lecher, and thence to a man prematurely old and exhausted but clinging to some illusion of independence. It is not one but three glorious performances rolled into one; I promise you that you have never seen an actor change more drastically without benefit of make-up—bulge out so in one scene, and cave in on himself so utterly in the next. Notice how the eyes go dead, the voice gets blunted, the very outline of the body blurs with defeat. Rachel Roberts is no less superb, but her part has fewer dimensions. Yet how piteously she ages, becomes more thrall to despair, and still preserves a spark of pugnacity, however dulled and enfeebled.
The film simply reeks humanity from every frame or pore: battered, smelly, hopelessly soiled humanity, yet somehow luminescent in its very putrescence.
Christopher Hitchens discussing the revolutionary, Leon Trotsky on the BBC Radio 4 show “Great Lives”, hosted by Matthew Parris. Historian Robert Service is also present to add to the discussion.
Overview. The Russian Revolution took place in 1917, during the final phase of World War I. It removed Russia from the war and brought about the transformation of the Russian Empire into the Union of Soviet Socialist Republics (USSR), replacing Russia’s traditional monarchy with the world’s first Communist state.
Locked-Down Shot
A shot where the camera is fixed in one position while the action continues off-screen. It says life is messy and can not be contained by a camera. Beloved by Woody Allen and the dolly grips who can take the afternoon off.
Another interpretation I read: It says the world goes on without us. I think this take was from Andrew Sarris and he was referring to Robert Bresson. But I can’t find the specific reference. Could be wrong.
“Docker is a tool for running applications in an isolated environment.”
Jake Wright Learn Docker in 12 Minutes
Docker is all the rage right now. In 12 minutes I’ll give you comprehensive introduction to docker, covering:
1. What is Docker
2. Virtual Machines vs. Docker
3. Introduction to Dockerfiles, images and containers
4. The Docker Hub
5. Writing a Dockerfile
6. Building an image
7. Running a container
8. Mounting volumes
9. One process per container
…
