This does give you a pretty good overview of the whole movie.
Longtime friends and filmmakers Quentin Tarantino and Roger Avary will launch their first podcast next month on which they’ll revisit some of their favorite old B-movies and discover new ones.
Set to premiere July 19, “The Video Archives Podcast” will feature the duo rewatching and discussing movies pulled from the actual collection of VHS tapes that they used to recommend to customers when they worked at the original location of the iconic Video Archives movie rental store in Manhattan Beach, Calif., almost 40 years ago. It’s being produced with SiriusXM podcast subsidiary Stitcher.
You can check it out here: stitcher
Notes from an early episode:
After Show 01 – Video Vault: Women In Cages
Welcome to the Video Archives After Show, where Gala Avary brings you exclusive content, answers to your burning questions, and even more film discussion from Quentin and Roger. This week, we’re cracking open the Video Vault for a never-before-heard discussion of 1971’s Women In Cages. Originally recorded for the Video Archives pilot, Quentin and Roger discuss this Filipino exploitation classic, covering everything from an early Pam Grier knockout performance to an absolutely ginormous rat.
It’s actually to do with the fact that the length of time it takes to watch movies has gone up.
Interesting. Why is that?
It’s to do with the actual amount of movie they put into the film and that the film requires to be watched concurrently.
Huh. Well I wonder why that is?
It has to do with the ending of the film getting further and further away from the start.
More movie per movie
Right, right, I get that, but I wonder why that is the way it is, is what I’m wondering
It’s like inflation. Back in the day you’d get 120 mins of movie, but these days that’s worth more like 240 mins. Same amount of movie.
In a sense, that’s true. But in another sense, doesn’t it have as much to do with the fact that the total amount of time that is in a movie is becoming a larger amount of time?
You’re on to something here
5 movies I saw this past year and recommend, blurbs via IMDB.
Summer Of Soul (…Or, When The Revolution Could Not Be Televised)
Feature documentary about the legendary 1969 Harlem Cultural Festival which celebrated African American music and culture, and promoted Black pride and unity.
The story of Alana Kane and Gary Valentine growing up, running around and going through the treacherous navigation of first love in the San Fernando Valley, 1973.
An ambitious carny with a talent for manipulating people with a few well-chosen words hooks up with a female psychiatrist who is even more dangerous than he is.
Roadrunner: A Film About Anthony Bourdain
A documentary about Anthony Bourdain and his career as a chef, writer and host, revered and renowned for his authentic approach to food, culture and travel.
Feature adaptation of Frank Herbert’s science fiction novel about the son of a noble family entrusted with the protection of the most valuable asset and most vital element in the galaxy.
5 movies that I watched this year and recommend. Blurbs via Amazon.
My Dinner with Andre – 1981
In Louis Malle’s captivating and philosophical My Dinner with André, actor and playwright Wallace Shawn sits down with friend and theater director André Gregory at an Upper West Side restaurant, and the two proceed into an alternately whimsical and despairing confessional on love, death, money, and all the superstition in between.
The Source Family – 2013
The Source Family’s outlandish lifestyle made them the darlings of Hollywood; but their outsider ideals and spiritual leader, Father Yod, caused controversy with local authorities.
The Overnighters – 2014
A modern-day Grapes of Wrath, award-winning documentary THE OVERNIGHTERS is a portrait of job-seekers desperately chasing the American Dream to the tiny oil boom town of Williston, North Dakota.
Bad Times at the El Royale – 2018
Several strangers meet up at a rundown Lake Tahoe hotel in 1969 for a violent and fateful night filled with wild twists and turns.
Collective – 2020
Follow a heroic team of journalists as they uncover shocking corruption in the Romanian national healthcare system. Take an up-close look as the Gazette team methodically discovers layer upon layer of unbridled fraud and criminal malfeasance.
The Ten Worst Movies Of 1972 *
Jan. 7, 1973
Mary, Queen of Scots, directed by Charles Jarrott
what I recall about this film most vividly is its complete lack of urgency. It’s a Christmas card sale in January.
Young Winston, directed by Richard Attenborough
“Young Winston” is one of those movie biographies in which a character asks the great‐man‐to‐be: “What’s ever to become of you?”
The Man, directed by Joseph Sargent
According to a long‐popular myth, some movies are so bad they’re good. If it’s possible, though, I doubt it, you might describe “The Man” that way.
The Public Eye, directed by Carol Reed
It takes Topol, who gives what is positively the year’s worst performance as a lovable private detective, to reunite the couple. The film spends so much time sight‐seeing around London you might reasonably wonder if it was financed by BOAC.
Portnoy’s Complaint, directed by Ernest Lehman
Roth’s hugely funny, dirty, first‐person narrative becomes embarrassingly crude and show‐offy.
A Place Called Today, directed and written by Don Schain
This is my sentimental choice as the most horrible film of the year, one of the two soft‐core porn films of 1972 that, starred Cheri Caffaro
The War Between Men and Women, directed by Melville Shavelson
This was undoubtedly the year’s most peculiarly mixed‐up comedy, about a cartoonist (Jack Lemmon) who’s going blind and tries to keep it a secret from the decent woman (Barbara Harris)
Trouble Man, directed by Ivan Dixon
This stands out as one of the worst black rip‐off films of the year
Savage Messiah, directed by Ken Russell
No list of the most awful films of the year would be complete without something by Ken Russell
. . . . And Hope To Die, directed by René Clément
the story is about some underworld characters in Montreal and more than that ye need not know.
The Trial of The Catonsville Nine, directed by Gordon Davison
so full of self‐congratulations that you’re likely to wind up questioning your original admiration for the nine.
* Listed 11 by my count.
Quentin Tarantino’s first novel is, to borrow a phrase from his oeuvre, a tasty beverage.
It’s his novelization of his own 2019 film “Once Upon a Time … in Hollywood” (the book’s title omits the ellipsis). It’s been issued in the format of a 1970s-era mass-market paperback, the sort of book you used to find spinning in a drugstore rack.
It’s got a retro-tacky tagline: “Hollywood 1969 … You shoulda been there!” If it weren’t so plump, at 400 pages, you could slip it into the back pocket of your flared corduroys.
Quentin Tarantino Turns His Most Recent Movie Into a Pulpy Page-Turner
“The movie is called Barfly, and it’s about me, because that’s what I was, a barfly,” Bukowski explained. “You ran errands for sadists and let the bartender beat you up, because you were the bar clown. You filled people’s days with your presence, and maybe you’d get a few free drinks now and then. ”
We were hunched down with our elbows on the padded edge of the bar, talking quietly like conspirators. Linda, Bukowski’s child bride, was taking down mental notes of everything.
“The way I became a barfly,” he said, “was, I didn’t like what I saw in the nine to five. I didn’t want to become an ordinary working person, paying off the mortgage, looking at TV, terrified. The bar was a hiding place, to get out of the mainstream. ”
“Did you decide to become a barfly, or did you just look up one day and see a barfly in the mirror?” I asked him.
“I can’t answer,” he said. “It was kind of a subconscious decision. Meanwhile, I was a writer on the side, selling short stories to dirty magazines. I gave up the writing after a while and concentrated on the drinking. I refused to accept the living death of acquiescence.”
What is Cinetrii?
Cinetrii is a service aimed at film enthusiasts who want to understand the context of the films that they love. Directors and screenwriters might take inspiration from works that have come before – Cinetrii tries to trace this lineage. The algorithm analyzes written reviews by film critics, seeks out references to other works and tries to rank the connections on relevance.