Take a piece of tinsel and put it on the tree
Cut a slab of melon and pretend that you still love me
Carve out a pumpkin and rely on your destiny
Get in your car and cruise the land of the brave and free
But don’t forget to understand exactly what you put on the tree
Don’t believe the florist when he tells you that the roses are free
Take a wrinkled raisin and do with it what you will
Push it into third if you know you’re gonna climb a hill
Eat plenty of lasagna ’til you know that you’ve had your fill
Resist all the urges that make you wanna go out and kill
But don’t forget to understand exactly what you put on the tree
Don’t believe the florist when he tells you that the roses are free
Throw that pumpkin at the tree
Unless you think that pumpkin holds your destiny
Cast it off into the sea
Bake that pie and eat it with me
In this episode, Roeper and guest talk about their favorite films of 2006. These films include: 51 Birch Street, A Prairie Home Companion, Babel, Blood Diamond, Days of Glory, Flags of Our Fathers, L’Enfant, Letters from Iwo Jima, Little Children, Little Miss Sunshine, Notes on a Scandal, Pan’s Labyrinth, The Departed, The Good Shepherd, The Lives of Others, The Queen, Three Times, United 93 and Volver.
Soap Opera Woman: Hey. Could we do that again? I know we haven’t met, but I don’t want to be an ant. You know? I mean, it’s like we go through life with our antennas bouncing off one another, continously on ant autopilot, with nothing really human required of us. Stop. Go. Walk here. Drive there. All action basically for survival. All communication simply to keep this ant colony buzzing along in an efficient, polite manner. “Here’s your change.” “Paper or plastic?’ “Credit or debit?” “You want ketchup with that?” I don’t want a straw. I want real human moments. I want to see you. I want you to see me. I don’t want to give that up. I don’t want to be ant, you know?
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Man on TV: A single ego is an absurdly narrow vantage from which to view this experience. And where most consider their individual relationship to the universe, I contemplate relationships of my various selves to one another.
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Kim Krizan: Creation seems to come out of imperfection. It seems to come out of a striving and a frustration and this is where I think language came from. I mean, it came from our desire to transcend our isolation and have some sort of connection with one another. And it had to be easy when it was just simple survival. Like you know, “water.” We came up with a sound for that. Or saber tooth tiger right behind you. We came up with a sound for that. But when it gets really interesting I think is when we use that same system of symbols to communicate all the abstract and intangible things that we’re experiencing. What is like… frustration? Or what is anger or love? When I say love, the sound comes out of my mouth and it hits the other person’s ear, travels through this byzantine conduit in their brain through their memories of love or lack of love, and they register what I’m saying and they say yes, they understand. But how do I know they understand? Because words are inert. They’re just symbols. They’re dead, you know? And so much of our experience is intangible. So much of what we perceive cannot be expressed. It’s unspeakable. And yet you know, when we communicate with one another and we feel that we have connected and we think that we’re understood I think we have a feeling of almost spiritual communion. And that feeling might be transient, but I think it’s what we live for.
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Boat Car Guy: Man this must be like… parallel universe night. You know that cat that was just in here? Just ran out the door? Well, he comes up to the counter, you know, and I say “What’s the word, turd?” And he lays down this burrito and he kind of looks at me, kind of stares at me and says, “I have but recently returned from the valley of the shadow of death. I’m rapturously breathing in all the odors and essences of life. I’ve been to the brink of total oblivion. I remember and ferment the desire to remember everything.”
Wiley: So, what did you say to that?
Boat Car Guy: Well, I mean, what could I say? I said, “If you’re going to microwave that burrito, I want you to poke holes in the plastic wrapping because they explode. And I’m tired of cleaning up your little burrito doings. You dig me?”