The first thing he claimed — even though he already had a wife, a 14-year-old girl, pushing legal limits in Texas, but she had her parents permission so the marriage was legal — he announced that God now wanted him to have wives, multiple wives. He pointed out some scriptural passages that he said backed this up, and he claimed that he needed multiple wives because it was his job to sire 24 children who would become elders and help rule after the kingdom of God’s reestablished, at the end times. Then he further announces that among all the women at Mount Carmel, every woman of childbearing age — and that would be, say, from 12 up — were now his wives and could have sex only with him for procreation purposes. The husbands of these women were forbidden to have sex at all anymore. And Koresh said this was a blessing to them because now they could focus their energies on studying the Bible more and becoming more worthy of the Lord. So it was sex. It was everyone else’s wives. And he even decided God wanted him to have the only unit air conditioning in Mount Carmel.
Interview was regarding:
Waco: David Koresh, The Branch Davidians and a Legacy of Rage
Music used in this mashup:
Wham! – Wake Me Up Before You Go Go
Black Sabbath – Children of the Grave
Van Halen – So This is Love
Jul 10, 2009
Actor Michael Caine reminisces about making five of his most popular movies: Dirty Rotten Scoundrels, The Man Who Would Be King, Alfie, Hannah and Her Sisters and Sleuth.
Turn Every Page explores the remarkable fifty-year relationship between two literary legends, writer Robert Caro and his longtime editor Robert Gottlieb. Now 86, Caro is working to complete the final volume of his masterwork, The Years of Lyndon Johnson; Gottlieb, 91, waits to edit it. The task of finishing their life’s work looms before them. With humor and insight, this unique double portrait reveals the work habits, peculiarities and professional joys of these two ferocious intellects at the culmination of a journey that has consumed both their lives and impacted generations of politicians, activists, writers, and readers.
This was around 8 pm on Saturday.
Radar Love. Golden Earring.
Highway Star [Deep Purple]
For late night driving, Riders on the Storm by The Doors.
Kickstart my heart by Motley Crue
Panama – Van Halen
Born to be Wild. – Steppenwolf
move bitch, get out the way – Ludacris
The Passenger [Iggy Pop]. Even people who don’t know it will sing the chorus by the second time it comes around
If there is a thesis that unites the essays in “Professing Criticism,” it is that professional formation entails a corresponding “déformation professionnelle.” Any kind of occupational training imparts to its recipients both a sense of mastery and a certain obliviousness to what this mastery costs—namely, the loss of other ways of perceiving the world. Related terms are “occupational psychosis” (John Dewey), “trained incapacity” (Thorstein Veblen), and, most recently, “nerdview” (Geoffrey K. Pullum), all more openly pejorative than “deformation.” Yet they get at the anxious and somewhat pitiable aspects of professional scholars (especially when one encounters them in herds) that Guillory, a model of courtesy and tact, sidesteps. A professional is not unlike a racehorse that has worn blinders long enough to have grown numb to the feel of them.
Has Academia Ruined Literary Criticism?
Literature departments seem to provide a haven for studying books, but they may have painted themselves into a corner.
By Merve Emre