Tag: Literature

RIP Martin Amis

Martin Amis, British author of era-defining novels, dies at 73

Influential British author Martin Amis has died at his home in Lake Worth, Fla., of esophageal cancer. He was 73.

His agent, Andrew Wiley, and his publisher, Vintage Books, confirmed his death on Saturday.

This is from Ron Rosenbaum, in his book The Secret Parts of Fortune:

As more and more bodies crammed themselves into the sweaty mosh pit of the Benetton basement, and the wait for the now overdue author went on, I began revolving around in my mind a theory about Mr. Amis’s work, why exactly I find his vision so powerful. Why it represents to me something more than addictively entertaining, acidly sophisticated dark comedy. The way it seems to me to embody as well a perversely spiritual vision, a brilliant heretical counterstatement to the Grand, Overinflated secular religion of our culture: the Religion of Self-Esteem. What Mr. Amis does is counterpose to the doctrine of self-esteem as the be-all and cure-all of the human condition what might be called the Virtue of Self-Loathing, the spiritual Discipline of Self-Disgust.

Here are a couple of his books that I am a fan of:
Money

Money is the hilarious story of John Self, one of London’s top commercial directors, who is given the opportunity to make his first feature film—alternately titled Good Money and Bad Money. He is also living money, talking money, and spending money in his relentless pursuit of pleasure and success. As he attempts to navigate his hedonistic world of drinking, sex, drugs, and excessive quantities of fast food, Self is sucked into a wretched spiral of degeneracy that is increasingly difficult to surface from.

Experience

The son of the great comic novelist Kingsley Amis, Martin Amis explores his relationship with this father and writes about the various crises of Kingsley’s life. He also examines the life and legacy of his cousin, Lucy Partington, who was abducted and murdered by one of Britain’s most notorious serial killers. Experience also deconstructs the changing literary scene, including Amis’ portraits of Saul Bellow, Salman Rushdie, Allan Bloom, Philip Larkin, and Robert Graves, among others. Not since Nabokov’s Speak, Memory has such an implausible life been recorded by such an inimitable talent. Profound, witty, and ruthlessly honest, Experience is a literary event.

Jimmy Crack Corn, Blue-Tail Fly – Subtext of

One of the first songs I can remember learning well enough to sing was “Jimmy Cracked Corn” or “The Blue-Tail Fly” (its real name); not for 20 years or so did I realize it wasn’t a nonsense song, a kids’ song, but an expression of glee at a slaveowner’s death. What makes the song chilling is that Massa isn’t made out to be wicked; he isn’t characterized at all, except as Massa—reason enough to crack corn in celebration of his demise. A blue-tail fly got him, as the singer details in a series of verses, each followed by the chorus of merriment (“Jimmy crack corn and I don’t care/ My Massa’s gone away”). We don’t know for sure where he’s gone until the end, when his epitaph is sung. The song was popular in minstrel shows of the 1840s and was handed down for 150 years, transformed into a campfire song for White middle-class kids. Perhaps “A Hard Rain’s Gonna Fall” will be rediscovered In the next century as a cautionary ballad about the need to put on your galoshes.

Faces In The Crowd: Musicians, Writers, Actors, And Filmmakers
Gary Giddins

See also wikiepdia: https://en.wikipedia.org/wiki/Jimmy_Crack_Corn

ChatGpt – If I like these books what else would I like

If I like these books what else would I like:
The Exorcist
Rule of the Bone
The Beginning of Spring
Watership Down
The Penitent

Based on the books you listed, here are some recommendations for similar books:
  1. “The Shining” by Stephen King – Like “The Exorcist,” this is a classic horror novel that explores the darker aspects of human nature.
  2. “The Catcher in the Rye” by J.D. Salinger – Like “Rule of the Bone,” this is a coming-of-age novel about a young protagonist who is trying to find his place in the world.
  3. “The Master and Margarita” by Mikhail Bulgakov – Like “The Beginning of Spring,” this is a literary novel set in early 20th-century Russia that explores the themes of love, art, and revolution.
  4. “Animal Farm” by George Orwell – Like “Watership Down,” this is an allegorical novel that uses animals to explore human society and politics.
  5. “The Power and the Glory” by Graham Greene – Like “The Penitent,” this is a novel that explores themes of sin, redemption, and faith, set against the backdrop of political turmoil.

New Black Canon – Books, Plays and Poems That Everyone Should Know – The New York Times

FICTION
Pauline E. Hopkins, “Of One Blood” (1902-3)
Chester Himes, “Lonely Crusade” (1947)
Fran Ross, “Oreo” (1974)
Alison Mills Newman, “Francisco” (1974)
James Alan McPherson, “Elbow Room” (1977)
William Demby, “Love Story Black” (1978)
J. California Cooper, “The Wake of the Wind” (1998)

DRAMA
Jean Toomer, “Balo” (1922)
Eulalie Spence, “The Starter” (1923)
Lorraine Hansberry, “Toussaint” (1961)
Charles Gordone, “No Place to Be Somebody: A Black-Black Comedy” (1969)
Adrienne Kennedy, “An Evening with Dead Essex” (1973)
Andrea Hairston, “Lonely Stardust” (1998)

POETRY
Esther Popel, “Flag Salute” (1934)
Bob Kaufman, “The Collected Poems” (1965-78)
Gwendolyn Brooks, “In the Mecca” (1968)
Ishmael Reed, “A Secretary to the Spirits” (1978)
Dolores Kendrick, “The Women of Plums: Poems in the Voices of Slave Women” (1989)
Melvin Dixon, “Love’s Instruments” (1995)
Ai, “Vice: New and Selected Poems” (1999)

The New Black Canon: Books, Plays and Poems That Everyone Should Know
A guide to some of the undervalued 20th-century works that testify to the richness of the Black American literary archive.

 

In the Desert – Stephen Crane

In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, “Is it good, friend?”
“It is bitter—bitter,” he answered;

“But I like it
“Because it is bitter,
“And because it is my heart.”

https://en.wikipedia.org/wiki/In_the_Desert

“In the Desert”[1] is the name given to a poem written by Stephen Crane (1871–1900), published in 1895 as a part of his collection, The Black Riders and Other Lines. “In the Desert” is the third of fifty-six short poems published in this volume. The poem is short, only ten lines, and briefly describes an interaction between the speaker and “creature, naked, bestial” encountered “in the desert”, eating his heart.

Carnivalization – Bakhtin Dostoevsky Criticism

Bakhtin argues that Dostoevsky always wrote in opposition to modern tendencies toward the “reification of man”—the turning of human beings into objects (scientific, economic, social, etc.), enclosing them in an alien web of definition and causation, robbing them of freedom and responsibility.[56] ‘Carnivalization‘ is a term used by Bakhtin to describe the techniques Dostoevsky uses to disarm this increasingly ubiquitous enemy and make true intersubjective dialogue possible. The concept suggests an ethos where normal hierarchies, social roles, proper behaviors and assumed truths are subverted in favor of the “joyful relativity” of free participation in the festival. In The Idiot, everything revolves around the two central carnival figures of the “idiot” and the “madwoman”, and consequently “all of life is carnivalized, turned into a ‘world inside out’: traditional plot situations radically change their meaning, there develops a dynamic, carnivalistic play of sharp contrasts, unexpected shifts and changes”.[57] Prince Myshkin and Nastasya Filippovna are characters that inherently elude conventional social definition, or—as Bakhtin puts it—anything that might limit their “pure humanness”. The carnival atmosphere that develops around them in each situation and dialogue (“bright and joyous” in Myshkin’s case, “dark and infernal” in Nastasya Filippovna’s) allows Dostoevsky to “expose a different side of life to himself and to the reader, to spy upon and depict in that life certain new, unknown depths and possibilities.”[58]

https://en.wikipedia.org/wiki/The_Idiot

Turn Every Page – The Adventures of Robert Caro and Robert Gottlieb

Turn Every Page explores the remarkable fifty-year relationship between two literary legends, writer Robert Caro and his longtime editor Robert Gottlieb. Now 86, Caro is working to complete the final volume of his masterwork, The Years of Lyndon Johnson; Gottlieb, 91, waits to edit it. The task of finishing their life’s work looms before them. With humor and insight, this unique double portrait reveals the work habits, peculiarities and professional joys of these two ferocious intellects at the culmination of a journey that has consumed both their lives and impacted generations of politicians, activists, writers, and readers.

Visiting a Long-imagined Place, Flaubert Quote

Cairo, January 5, 1850
You ask me whether the Orient is up to what I imagined it to be. Yes, it is, and more than that it extends far beyond the narrow idea I had of it. I have found, clearly delineated, everything that was hazy in my mind. Facts have taken the place of suppositions – so excellently that it is often as though I were suddenly coming upon old and forgotten dreams.

Flaubert and Madame Bovary
Francis Steegmuller

RIP – Russell Banks

Russell Banks, Novelist Steeped in the Working Class, Dies at 82
He brought his own sometimes painful blue-collar experiences to bear in acclaimed stories exploring issues of race, class and power in American life.
NYTIMES

A couple books of his I’d recommend:
Rule of the Bone
When we first meet him, Chappie is a punked-out teenager living with his mother and abusive stepfather in an upstate New York trailer park. During this time, he slips into drugs and petty crime. Rejected by his parents, out of school and in trouble with the police, he claims for himself a new identity as a permanent outsider; he gets a crossed-bones tattoo on his arm, and takes the name “Bone.”

The Sweet Hereafter
In The Sweet Hereafter, Russell Banks tells a story that begins with a school bus accident. Using four different narrators, Banks creates a small-town morality play that addresses one of life’s most agonizing questions: when the worst thing happens, who do you blame?

The Sweet Hereafter was made into a movie, which I also thought was great, check out it’s IMDB page.

Best Books I Read in 2022 that Weren’t Written in 2022

Selections mine. Descriptions from either Amazon or associated review or link. Listed in order of publication date.

English Journey – 1934
J. B. Priestley
Where I heard about it – David Bowie liked this and it was one of the books in Bowie’s Bookshelf: The Hundred Books that Changed David Bowie’s Life
Funnily enough, for all the bad news it imparts, English Journey is a consoling, optimistic read. This is down to Priestley’s tone, which, like his way with the mostly affectionately sketched characters he meets on his travels, is genial and uncontrived, or at least plays that way. Being a man of the people matters hugely to Priestley. He can’t resist a dig at “literary” writers who dismiss him as middlebrow but remain aloof from the poverty and suffering of ordinary folk. If T. S. Eliot ever wants to write a poem about an actual physical wasteland, he jokes, he should take a trip to North Shields.

Correlli’s Mandolin – 1995
Louis de Bernieres
Where I heard about it – This book was big in the 90’s.
The acclaimed story of a timeless place that one day wakes up to find itself in the jaws of history: “An exuberant mixture of history and romance, written with a wit that is incandescent” (Los Angeles Times Book Review).

The Smoking Diaries – 2001
Simon Gray
Where I heard about it – David Shields mentioned it in this NYTIMES interview
When he turned sixty-five, the acclaimed playwright Simon Gray began to keep this diary: not a careful honing of the day’s events with a view to posterity but an account of his thoughts as he had them, honestly, turbulently, digressively expressed. 

Stage Blood – 2013
Michael Blakemore
Where I heard about it – Amazon recommendation
Five tempestuous years in the early life of the National Theatre

The Short and Tragic Life of Robert Peace – 2014
Jeff Hobbs
Where I heard about it – New York Times 100 Notable Books of 2014
A heartbreaking journey from a New Jersey ghetto to Yale to a drug-­related murder.

Surfing with Sartre – 2017
Aaron James
Where I heard about it – NYTIMES Book review from 2017
Meet Aaron James. He is a professor of philosophy at the University of California, Irvine, and an accomplished surfer. His new book, “Surfing With Sartre,” aims to articulate the distinctive philosophical value of the surfer way of being. His conclusion is bold: “What the surfer knows, in knowing how to ride a wave, bears on questions for the ages — about freedom, control, happiness, society, our relation to nature, the value of work and the very meaning of life.”

Five Minutes to Kill – 2017
Fred Stoller
Where I heard about it – Amazon Recommendation
In the 1980s and the 1990s, HBO’s annual Young Comedians Special was the ultimate launching pad for emerging comics looking to break into the world of show business. The Young Comedians Special produced some of the most recognizable—and bankable—comedic stars of all time, including Sam Kinison, Bob Saget, Jerry Seinfeld, and Judd Apatow. But what about the ones who didn’t exactly make it?

Three Girls from Bronzeville – 2021
Dawn Turner Trice
Where I heard about it – New York Times 100 Notable Books of 2021
A former columnist for The Chicago Tribune offers a textured portrait of her 1970s childhood on the South Side, where three Black girls with similar aspirations ended up with wildly divergent fates.

Post War American Novel – Yale Syllabus

Richard Wright, Black Boy (American Hunger) (Harper Perennial Restored edition, 1993) 1945
Flannery O’Connor, Wise Blood (Farrar, Straus and Giroux) 1949
Vladimir Nabokov, Lolita (Vintage) 1955
Jack Kerouac, On the Road (Penguin) 1957
J.D. Salinger, Franny and Zooey (Little, Brown) 1961
John Barth, Lost in the Funhouse (Anchor) 1963-68 (selections)
Thomas Pynchon, The Crying of Lot 49 (HarperCollins) 1967
Toni Morrison, The Bluest Eye (Knopf) 1970
Maxine Hong Kingston, The Woman Warrior (Vintage) 1976 (selections)
Marilynne Robinson, Housekeeping (Picador) 1980
Cormac McCarthy, Blood Meridian (Vintage) 1985
Philip Roth, The Human Stain (Houghton Mifflin) 2000
Edward P. Jones, The Known World (Amistad) 2003
Jonathan Safran Foer,  Everything Is Illuminated (Mariner Books) 2005 (The student choice book for the class they had the podcast for, which was in 2008)

https://oyc.yale.edu/english/engl-291
Course Number
ENGL 291

About the Course
In “The American Novel Since 1945” students will study a wide range of works from 1945 to the present. The course traces the formal and thematic developments of the novel in this period, focusing on the relationship between writers and readers, the conditions of publishing, innovations in the novel’s form, fiction’s engagement with history, and the changing place of literature in American culture. The reading list includes works by Richard Wright, Flannery O’Connor, Vladimir Nabokov, Jack Kerouac, J. D. Salinger, Thomas Pynchon, John Barth, Maxine Hong Kingston, Toni Morrison, Marilynne Robinson, Cormac McCarthy, Philip Roth and Edward P. Jones. The course concludes with a contemporary novel chosen by the students in the class.

Course Structure
This Yale College course, taught on campus twice per week for 50 minutes, was recorded for Open Yale Courses in Spring 2008

100 Notable Books of 2022 – NYTIMES List

100 Notable Books of 2022
Chosen by the staff of
The New York Times Book Review
Nov. 22, 2022

Afterlives
Abdulrazak Gurnah

Also a Poet
Ada Calhoun

American Midnight
Adam Hochschild

The Arc of a Covenant
Walter Russell Mead

Avalon
Nell Zink

The Bangalore Detectives Club
Harini Nagendra

Best Barbarian
Roger Reeves

Black Folk Could Fly
Randall Kenan

Bliss Montage
Ling Ma

The Books of Jacob
Olga Tokarczuk

Breathless
David Quammen

The Candy House
Jennifer Egan

Case Study
Graeme Macrae Burnet

A Catalog of Such Stuff as Dreams Are Made On
Dung Kai-cheung

Checkout 19
Claire-Louise Bennett

Come Back in September
Darryl Pinckney

Companion Piece
Ali Smith

Constructing a Nervous System
Margo Jefferson

The Daughter of Doctor Moreau
Silvia Moreno-Garcia

The Dead Romantics
Ashley Poston

Dead-End Memories
Banana Yoshimoto

Democracy’s Data
Dan Bouk

Demon Copperhead
Barbara Kingsolver

Didn’t Nobody Give a Shit What Happened to Carlotta
James Hannaham

Dr. No
Percival Everett

Ducks
Kate Beaton

Easy Beauty
Chloé Cooper Jones

Either/Or
Elif Batuman

Everything I Need I Get From You
Kaitlyn Tiffany

Fire Season
Gary Indiana

Flung Out of Space
Grace Ellis and Hannah Templer

Four Treasures of the Sky
Jenny Tinghui Zhang

The Furrows
Namwali Serpell

G-Man
Beverly Gage

Getting Lost
Annie Ernaux

Gods of Want
K-Ming Chang

The Grimkes
Kerri K. Greenidge

Half American
Matthew F. Delmont

Hokuloa Road
Elizabeth Hand

Homesickness
Colin Barrett

How Not to Drown in a Glass of Water
Angie Cruz

The Hurting Kind
Ada Limón

If I Survive You
Jonathan Escoffery

An Immense World
Ed Yong

The Immortal King Rao
Vauhini Vara

In Love
Amy Bloom

Indelible City
Louisa Lim

Index, A History of the
Dennis Duncan

Indigenous Continent
Pekka Hämäläinen

Joan Is Okay
Weike Wang

Kiki Man Ray
Mark Braude

Kingdom of Characters
Jing Tsu

The Latecomer
Jean Hanff Korelitz

Legacy of Violence
Caroline Elkins

Lessons in Chemistry
Bonnie Garmus

Liberation Day
George Saunders

Life Between the Tides
Adam Nicolson

Lucy by the Sea
Elizabeth Strout

Magnificent Rebels
Andrea Wulf

Metaphysical Animals
Clare Mac Cumhaill and Rachael Wiseman

Motherthing
Ainslie Hogarth

Mr. B
Jennifer Homans

My Government Means to Kill Me
Rasheed Newson

Night of the Living Rez
Morgan Talty

Now Do You Know Where You Are
Dana Levin

The Old Woman With the Knife
Gu Byeong-mo

Olga Dies Dreaming
Xochitl Gonzalez

Our Missing Hearts
Celeste Ng

The Palace Papers
Tina Brown

The Passenger
Cormac McCarthy

Path Lit by Lightning
David Maraniss

Picasso’s War
Hugh Eakin

Pure Colour
Sheila Heti

The Quiet Before
Gal Beckerman

The Rabbit Hutch
Tess Gunty

Red Blossom in Snow
Jeannie Lin

The Return of Faraz Ali
Aamina Ahmad

The Revolutionary
Stacy Schiff

The School for Good Mothers
Jessamine Chan

Sea of Tranquility
Emily St. John Mandel

Secret City
James Kirchick

Seek and Hide
Amy Gajda

The Seven Moons of Maali Almeida
Shehan Karunatilaka

Shy
Mary Rodgers and Jesse Green

Solito
Javier Zamora

Son of Elsewhere
Elamin Abdelmahmoud

The Song of the Cell
Siddhartha Mukherjee

Stay True
Hua Hsu

Strangers to Ourselves
Rachel Aviv

Super-Infinite
Katherine Rundell

Tomorrow, and Tomorrow, and Tomorrow
Gabrielle Zevin

The Trayvon Generation
Elizabeth Alexander

Trust
Hernan Diaz

Under the Skin
Linda Villarosa

Walking the Bowl
Chris Lockhart and Daniel Mulilo Chama

We Don’t Know Ourselves
Fintan O’Toole

The Whalebone Theatre
Joanna Quinn

When McKinsey Comes to Town
Walt Bogdanich and Michael Forsythe

Yonder
Jabari Asim

You Made a Fool of Death With Your Beauty
Akwaeke Emezi

Hamlet – Old Language vs Modern

OLD LANGUAGE ====================================
HAMLET
Let me see. (takes the skull) Alas, poor Yorick! I knew him, Horatio, a fellow of infinite jest, of most excellent fancy. He hath borne me on his back a thousand times, and now, how abhorred in my imagination it is! My gorge rises at it. Here hung those lips that I have kissed I know not how oft.—Where be your gibes now? Your gambols? Your songs? Your flashes of merriment that were wont to set the table on a roar? Not one now to mock your own grinning? Quite chapfallen? Now get you to my lady’s chamber and tell her, let her paint an inch thick, to this favor she must come. Make her laugh at that.—Prithee, Horatio, tell me one thing.

HORATIO What’s that, my lord?

HAMLET Dost thou think Alexander looked o’ this fashion i’ th’ earth?

HORATIO E’en so.

HAMLET And smelt so? Pah! (puts down the skull)

HORATIO E’en so, my lord.

HAMLET To what base uses we may return, Horatio. Why may not imagination trace the noble dust of Alexander till he find it stopping a bunghole?

HORATIO ’Twere to consider too curiously, to consider so.

MODERN LANGUAGE ====================================
HAMLET
Let me see. (he takes the skull) Oh, poor Yorick! I used to know him, Horatio—a very funny guy, and with an excellent imagination. He carried me on his back a thousand times, and now—how terrible—this is him. It makes my stomach turn. I don’t know how many times I kissed the lips that used to be right here. Where are your jokes now? Your pranks? Your songs? Your flashes of wit that used to set the whole table laughing? You don’t make anybody smile now. Are you sad about that? You need to go to my lady’s room and tell her that no matter how much makeup she slathers on, she’ll end up just like you some day. That’ll make her laugh. Horatio, tell me something.

HORATIO What’s that, my lord?

HAMLET Do you think Alexander the Great looked like this when he was buried?

HORATIO Exactly like that.

HAMLET And smelled like that, too? Whew! (he puts down the skull)

HORATIO Just as bad, my lord.

HAMLET How low we can fall, Horatio. Isn’t it possible to imagine that the noble ashes of Alexander the Great could end up plugging a hole in a barrel?

HORATIO If you thought that you’d be thinking too much.

Hamlet
SparkNotes
“No Fear Shakespeare pairs Shakespeare’s language with translations into modern English—the kind of English people actually speak today. When Shakespeare’s words make your head spin, our translations will help you sort out what’s happening, who’s saying what, and why.”

The Summer of a Dormouse – Byron quote

When one subtracts from life infancy (which is vegetation) – sleep, eating and swilling – buttoning and unbuttoning – how much remains of downright existence? The summer of a dormouse…

Quote found in Kenneth Tynan’s Diaries, 16 November, 1972

Byron has given me the perfect title for an autobiography if I ever write one: The Summer of a Dormouse. It’s from a letter:
When one subtracts from life infancy (which is vegetation) – sleep, eating and swilling – buttoning and unbuttoning – how much remains of downright existence? The summer of a dormouse…

The Diaries of Kenneth Tynan

(Highly recommended book)