Category: Arts and Letters

Everyone Is Lying to You for Money – Official Trailer

In Everyone Is Lying to You for Money, actor and author Ben McKenzie turns investigator, pulling back the curtain on the cryptocurrency industry and the culture of hype, misinformation, and speculation that fueled its explosive rise. What began as a promise of financial freedom has evolved into a volatile ecosystem rife with fraud and reckless gambling, carrying with it devastating consequences for everyday people.

We are Transmitters – D.H. Lawrence

We are Transmitters
As we live, we are transmitters of life.
And when we fail to transmit life, life fails to flow through us.

That is part of the mystery of sex, it is a flow onwards.
Sexless people transmit nothing.

And if, as we work, we can transmit life into our work,
life, still more life, rushes into us to compensate, to be ready
and we ripple with life through the days.

Even if it is a woman making an apple dumpling, or a man a stool,
if life goes into the pudding, good is the pudding
good is the stool,
content is the woman, with fresh life rippling in to her,
content is the man.

Give, and it shall be given unto you
is still the truth about life.
But giving life is not so easy.
It doesn’t mean handing it out to some mean fool, or letting the living dead eat you up.
It means kindling the life-quality where it was not,
even if it’s only in the whiteness of a washed pocket-handkerchief.

The Question Concerning Technology – Heidegger, ChatGpt on

The core source for the idea is his essay The Question Concerning Technology (1954).

Heidegger’s argument is subtle. He does not mainly think technology is dangerous because machines become powerful. He thinks the deeper danger is that human beings begin to see everything — nature, other people, and eventually themselves — as resources to be optimized, ordered, and used.

One of his key terms is “standing-reserve” (Bestand). Under technological thinking:

  • a forest becomes “timber inventory”
  • a river becomes “hydroelectric potential”
  • a worker becomes “human resources”
  • even a person’s attention or personality becomes something measurable and manageable

So the irony is:

  • machines can seem increasingly adaptive, responsive, or “alive”
  • while humans increasingly behave according to systems, routines, metrics, and procedures

That’s probably why your remembered quote feels Heideggerian.

A famous genuine Heidegger passage says:

“The essence of technology is by no means anything technological.”

Meaning: the real issue isn’t gadgets themselves, but a whole way of seeing the world.

Another important idea in the essay is “enframing” (Gestell), Heidegger’s term for the mindset that organizes reality into calculable, controllable units. In an enframed world, spontaneity, mystery, contemplation, and individuality tend to shrink.

This connects strongly to a lot of 20th-century literature and film:

  • Modern Times — humans reduced to machine rhythms
  • The Trial — impersonal systems dominating individuals
  • Player Piano
  • 2001: A Space Odyssey — the machine appears calm and rational while humans become helpless or procedural
  • Brazil — bureaucracy becoming absurdly mechanical

There’s also an interesting tension in Heidegger: he was not simply anti-technology or nostalgic for the past. He thought technology revealed something real about the human desire for mastery and certainty. The danger was that this mode of thinking could become so dominant that we forget there are other ways of relating to reality — art, contemplation, ritual, poetry, direct experience.

That’s why he often turns toward poets like Friedrich Hölderlin late in his work. Poetry, for Heidegger, preserves a less mechanical relationship to being.

Being Nowhere on the Road

Where can you be alone? In a crowd. How can you be nowhere? If you don’t stop moving. Where had I seen people meditating? In cars. What place is most conducive to introspection? The motorway.

On such roads which are abstractions of roads I would progress towards knowledge. As they are plain and always the same, skirting towns and flattening the landscapes they cross, they teach people that what’s important is purification.

Looking Inwards on the Autobahn
Charles Dantzig

Found in:
The Penguin Book of French Short Stories: 2: From Colette to Marie NDiaye

Law and Order – Beleaguered Woman Shirt

May 6, 1998, possibly the first sighting of ‘The Shirt’ in Damaged.
by
u/Ok-Mine2132 in
LawAndOrder

um_ok_try_again
It looks like it’s the beleaguered-woman-who-can’t -catch-a-break shirt.

ethelmertz623
There is also a blue polo shirt with a white collar that makes the rounds on numerous (murderous) women. Fiona in Shangri La and the woman from the parks department who had her husband killed in Lennys last case. It was in a few others too.

Everyone Lives in a Circle – Jafar Pahani Interview

JP: In my view, everyone in the world lives within a circle, either due to economic, political, cultural, or family problems or traditions. The radius of the circle can be smaller or larger. Regardless of their geographic location, they live within a circle. I hope that if this film has any kind of effect on anyone, it would be to make them try to expand the size of the radius.

DW: While the film treats women, what are the consequences for the men in their lives?

JP: Iranian society, particularly in comparison to this part of the world, is a man’s world pretty much. The radius might be marginally larger for men. The purpose of this film was not to be against men or to be a feminist film—it’s a film about humanity. Men and women are part of humanity. In the film I never showed any kind of maltreatment or anger from men. For example, we see the women afraid of the police. This may or may not be real. When the police are shown in long shot, they’re menacing. However, in medium shot, you can see the policeman has a kind face. And he asks the woman: ‘Do you need any help?’ And also in the scene when the woman was buying a shirt for her fiancé, the store owner measured it against the soldier’s chest. And at the end of the film, when they’re in the paddywagon … throughout the film, every single woman wanted to have a smoke. Once they’re in the paddywagon, there is this humanitarian atmosphere.

Joanne Laurier: Is your point that the army and the police are just made up of ordinary people?

JP: In all my films, you never see an evil character, male or female. I believe everyone is a good person. It could be the result of social difficulties. Even the most dangerous criminal has that sense of humanity. At the bottom he’s still a human. It doesn’t mean that a criminal shouldn’t be punished just because social difficulties have driven him to it. He’s guilty because he didn’t try to expand the radius of his circle.

An interview with Jafar Panahi, director of The Circle

Milton When You are Down on Your Luck

I am glad that none of my friends has ever found himself sitting on a bench in a park with a quarter in his pocket, as I once did, and nothing in the bank; in fact, no bank account. It’s a very lonely feeling. It gives new meaning to the sense of loneliness and despair.

I wallowed in that slough for a bit. It was not, after all, a happy situation and I am not a dim-witted optimist. But I had two choices, die in the slough or move on. I thought of the last two lines of Milton’s Lycidas,

At last he rose, and twitch’d his mantle blue:
To-morrow to fresh woods, and pastures new.

So I got up, forever grateful to Mr. Barrows, my college English instructor, for teaching me to study Lycidas seriously and realize what a great poem it is and why that matters.

Falling
William McPherson
https://hedgehogreview.com/issues/thinking-about-the-poor/articles/falling

Working with the Quotidian Materials of Life

“The core insight I received from my second reading of Office Politics was that, if I thought I could stand at one remove from my place of employment and regard it as a kind of diorama or spectacle, I was deluding myself. As Rilke wrote in a very different context, all this seems to require us. I had fallen into the quotidian and was going to have to work with the materials at hand, pedestrian and unpromising as they might seem, to make of my life and career something meaningful. This was no small gift of self-knowledge to receive from a novel.”

Office Politics
Wilfred Sheed
From the foreword by Gerald Howard

In William Shakespeare’s play As You Like It, the character Rosalind observes that Orlando, who has been running about in the woods carving her name on trees and hanging love poems on branches, “seems to have the quotidian of love upon him.” The Bard’s use doesn’t make it clear that quotidian comes from a Latin word, quotidie, which means “every day.” But as odd as it may seem, his use of quotidian is just a short semantic step away from the “daily” adjective sense. Some fevers come and go but occur daily; in medical use, these are called “quotidian fevers” or simply “quotidians.” Poor Orlando is afflicted with such a “fever” of love.

https://www.merriam-webster.com/dictionary/quotidian

Sometimes Vague Language is Better

Sometimes vague language is better because it expresses the truth that things are unclear or unsettled. This is why poets will often use metaphors and contradictory language; it is a meaningful inarticulateness. Vague language is the appropriate vessel for speaking from a position of uncertainty.

If you value what’s fun, what’s interesting, what’s curious, what’s creative—those concepts have imprecise edges. Applying these terms always involves dealing with fuzz and unclarity. But you should feel uncertain when you’re in unknown territory. Fuzzy values are appropriate when you don’t yet know everything about what’s important. They encourage exploration, because they don’t have sharp edges. Fuzzy values build in an open-minded attitude.

The Score: How to Stop Playing Somebody Else’s Game
C. Thi Nguyen

Intuition and Intellect – Ingmar Bergman Quote

Intuition, says Ingmar Bergman, is the essence of creativity and the foundation of his unparalleled success as a film maker.

”I make all my decisions on intuition,” said the 62-year-old Swedish director. ”But then, I must know why I made that decision. I throw a spear into the darkness. That is intuition. Then I must send an army into the darkness to find the spear. That is intellect.”

In a rare public appearance, Mr. Bergman spoke today of success and failure, creativity and laziness to drama students at Southern Methodist University. A Lazy Man at Heart

”I’m very, very lazy,” conceded Mr. Bergman. ”I love to sit in a chair and look out the window and do nothing. Writing is boring, very boring, and it takes so much patience.”

”You feel that this is going to be the best scene ever made and you want to protect it from others,” he added. But the magic dissipates and is replaced by tedium when it comes time to write, a task Mr. Bergman clearly disdains despite his success at it.

May 8, 1981

https://www.nytimes.com/1981/05/08/movies/ingmar-bergman-confides-in-students.html