Author: ehawkes

Hey Sonny, Where’s Cher? Hey Cher, Where’s Sonny?

Sonny was very easy to work with. True blue, no pretense at all. The only time he got a little prickly was when people would come up and say, “Where’s Cher?” That has to get stale after you’ve been divorced for ten years. In fact, he had his new wife with him, this beautiful young woman, and you could see that he was just so smitten; he was totally attentive to her. Sonny was a bright guy and also a bit of a smart-ass, which I liked. There’s nothing like a smart-ass to give you a laugh.

Debby Harry.
Face It: A Memoir

FRED SCHNEIDER: I went to the awards when Madonna did “Like a Virgin,” and Cher was there. I was excited to meet Cher. But some punk comes up to her and says, “Hey, Cher, where’s Sonny?” And without missing a beat, Cher goes, “He’s home, fucking your mother.” That’s the sort of story you remember.

Tannenbaum, Rob.
I Want My MTV: The Uncensored Story of the Music Video Revolution

 

The Automat

An automat is a fast food restaurant where simple foods and drinks are served by vending machines. The world’s first automat was named Quisisana, which opened in Berlin, Germany in 1895.

The first automat in the U.S. was opened June 12, 1902, at 818 Chestnut St. in Philadelphia by Horn & Hardart; Horn & Hardart became the most prominent American automat chain.

The automats were popular with a wide variety of patrons, including Walter Winchell, Irving Berlin and other celebrities of the era. The New York automats were popular with unemployed songwriters and actors. Playwright Neil Simon called automats “the Maxim’s of the disenfranchised” in a 1987 article.

Wikipedia

I didn’t have any money to come into the city and go drinking—I was still flopping (in more ways than one) at my parents’ Brooklyn apartment—but I could always lay my hands on a quarter. So one Sunday night I took the subway to Manhattan (a nickel), spent two cents on the Daily News and two cents on the Daily Mirror, and went to Horn & Hardart, the automat where for a dime you could get a roll and the best baked beans that were ever made. Then I headed for Leon and Eddie’s.

Alan King. NAME – DROPPING: The Life and Lies of Alan King

Keith Richards’ 10 Classic Roots and Reggae List

1. Stagolee – Jesse Fuller, 1958
This says something about the way I feel. There is a mixture of music in him: ragtime, blues, folk and country. And he’s a one-man band.

2. When Did You Leave Heaven – Big Bill Broonzy, 1951
He was the best-known American blues player in England in the Fifties. There’s footage of him singing that song, in a barroom in Belgium or something. Check it out.

3. It Hurts Me too – Elmore James, 1957
Brian Jones introduced me to Elmore. His voice is so compelling, and that seemingly effortless slide playing was unusual. What struck me was how Elmore James looked a bit like a school teacher, very respectable.

4. Blues Hangover – Slim Harpo, 1960
The sheer swampiness of this – it had the be here, especially because he puts the whole band through a hangover at the same time.

5. Key to the Highway – Little Walter, 1958
It’s the sheer sound, the way the band is right behind Walter. It’s the best version of the song ever.

6. Piece of My Heart – Erma Franklin, 1967
Janis Joplin did a good job covering this. But Erma’s got the stuff. She was Aretha’s sister. Erma is rougher. Aretha’s voice was more pure.

7. In a Dis Ya Time – The Itals, 1998
The Itals are in reggae’s harmony tradition. It is the pinnacle of how reggae can sound.

8. Innocent People Cry – Gregory Isaacs, 1974
Isaacs has written some incredible songs. It took me months to find this in Jamaica. I was asking around for “Chookie No Lookie” [the chorus]. Everybody’s giving me a blank stare. Thein it was, “Oh, you mean ‘Innocent People Cry’. How did he come up with that title?

9. Memphis, Tennessee – Chuck Berry, 1958
I think he’s playing everything except the drums and a little piano. There is something about the way the guitars mesh together. I have to doff the old hat. The greatest.

10. 32-20 – Robert Johnson, 1936
Hey, it’s about guns.

“When you’re asked to do these sorts of lists, you don’t want to come up with the obvious stuff. We know the classics. We’ve seen thousands of those lists. I was trying to think of stuff that’s slipped between the cracks. This list is a mixture, some of the essences that appeal to me. I look at this and think, ‘That’s a pretty good list. I can live with it.'”

Keith Richards
The Playlist Issue
Rolling Stone, December 9, 2010

See also, Mick Jagger’s 10 Classic Blues Playlist – Now With Notes

What is a truth you don’t like accepting about yourself?

What is a truth you don’t like accepting about yourself? from AskReddit

NotDepressed1224
I either think too high of myself or not enough of myself, there is no in between

kaazgranaat2309
Im lazy and have no dicipline

squashishous
I can naturally be mean if I don’t think carefully before I speak

ollieliotd
I’m paralyzed with indecision and feel like I keep making panic moves.

3VD
I don’t treat my body well and I have a lot of crutches that will impact me later in life.

PlumbusFungus
I can get emotional over stupid things. I try not to and I recognize it happening but feel out of control over it

No_Web_9121
I am not special or more talented than anyone else, I am literally more or less average. I guess its not bad, I don’t hate it, but doesn’t mean i like it

Rock and Roll Dream – Onstage with Kiss

Countdown. Then the shove and I’m on stage, moving like I’m unremotely controlled. Forgetting completely that I ‘m in front of 5,000 people participating as one fifth of this sadistic cheerleading squad, bobbing and gyrating in instinctively, I no longer hear the music, just a noise and a beat. On cue I strut over to Simmons’ mike and lean into it and sing. Singing loud without hearing myself, oblivious to everything but those four other beings onstage. Gene whispers for me to “shake it” and I loosen up a little more, until I feel like a Vegas showgirl going to a go go. Suddenly it strikes me: I like this. And I venture a look at the crowd, that clamoring, hungry throng of bodies below me. All I can think at that moment is how much all those kids resemble an unleashed pit of snakes, their outstretched arms bobbin and nodding, as if charmed by the music. I wonder if they will pick up on the hoax? But they keep screaming and cheering, so I might just as well be Peter Criss, unleashed from his drum kit, as anyone.

“I Dreamed I Was Onstage with KISS in my Maidenform Bra”
Jaan Uhelszki
Creem, August 1975