Month: February 2023

Rom-Com Reality

Peter, for example, is a Manhattan marketing consultant with commitment problems. Early on, he breaks up with his latest girlfriend at the six-month mark; in his next scene, he has a near-identical conversation with his latest corporate clients. (The clients take it harder.) Debbie, a risk-averse single mother in Los Angeles, is pilloried with advice from one friend (Tig Notaro) — “Get your degree, find a man, then come home and redo your kitchen” — and escapes only to immediately collide with a second pesky pal (Rachel Bloom), who tacks on that the self-sacrificial parent should also pursue her dream job as a book editor.

The pacing of these scenes feels as though we’re trapped in a spaceship airlock and can only faintly remember what natural life felt like back home on Earth. It only takes a squint to see that Debbie’s adorable foibles — rules scribbled on Post-it notes stuck all over the house, an insistence that her overprotected 13-year-old son (Wesley Kimmel) is allergic to everything from grass to fun — would, in reality, demand an intervention and, perhaps, a diagnosis of Munchausen by proxy. But no one in this movie is playing anything near a human being, although Kutcher occasionally resembles one when he lowers his head, crinkles his eyes and chuckles.

‘Your Place or Mine’ Review: Try Neither
This humdrum Netflix romantic comedy features Reese Witherspoon and Ashton Kutcher as longtime friends with possibly hidden feelings for each other.
Amy Nicholson

In the Desert – Stephen Crane

In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, “Is it good, friend?”
“It is bitter—bitter,” he answered;

“But I like it
“Because it is bitter,
“And because it is my heart.”

https://en.wikipedia.org/wiki/In_the_Desert

“In the Desert”[1] is the name given to a poem written by Stephen Crane (1871–1900), published in 1895 as a part of his collection, The Black Riders and Other Lines. “In the Desert” is the third of fifty-six short poems published in this volume. The poem is short, only ten lines, and briefly describes an interaction between the speaker and “creature, naked, bestial” encountered “in the desert”, eating his heart.

The Difficulty of Self Expression – Flaubert and Mayor Daley

Daley, who never lost his blue-collar Chicago accent, was known for often mangling his syntax and other verbal gaffes. Daley made one of his most memorable verbal missteps in 1968, while defending what the news media reported as police misconduct during that year’s violent Democratic convention, stating, “Gentlemen, get the thing straight once and for all – the policeman isn’t there to create disorder, the policeman is there to preserve disorder.” Daley’s reputation for misspeaking was such that his press secretary Earl Bush would tell reporters, “Write what he means, not what he says.”

Wikipedia

…human language is like a cracked kettle on which we beat out tunes for bears to dance to, when what we long to do is make music that will move the stars to Pity.

Madame Bovary
Gustave Flaubert

Existential Crisis – Definition, Example of

In psychology and psychotherapy, existential crises are inner conflicts characterized by the impression that life lacks meaning or by confusion about one’s personal identity. Existential crises are accompanied by anxiety and stress, often to such a degree that they disturb one’s normal functioning in everyday life and lead to depression. Their negative attitude towards life and meaning reflects various positions characteristic of the philosophical movement known as existentialism. Synonyms and closely related terms include existential dread, existential vacuum, existential neurosis, and alienation. The various aspects associated with existential crises are sometimes divided into emotional, cognitive, and behavioral components. Emotional components refer to the feelings they provoke, such as emotional pain, despair, helplessness, guilt, anxiety, and loneliness. Cognitive components encompass the problem of meaninglessness, the loss of personal values, and reflections about one’s own mortality. Outwardly, existential crises often express themselves in addictions, anti-social and compulsive behavior.

https://en.wikipedia.org/wiki/Existential_crisis

Doctor in Brooklyn: Why are you depressed, Alvy?
Alvy’s Mom: Tell Dr. Flicker.
[Young Alvy sits, his head down – his mother answers for him]
Alvy’s Mom: It’s something he read.
Doctor in Brooklyn: Something he read, huh?
Alvy at 9: [his head still down] The universe is expanding.
Doctor in Brooklyn: The universe is expanding?
Alvy at 9: Well, the universe is everything, and if it’s expanding, someday it will break apart and that would be the end of everything!
Alvy’s Mom: What is that your business?
[she turns back to the doctor]
Alvy’s Mom: He stopped doing his homework!
Alvy at 9: What’s the point?
Alvy’s Mom: What has the universe got to do with it? You’re here in Brooklyn! Brooklyn is not expanding!
Doctor in Brooklyn: It won’t be expanding for billions of years yet, Alvy. And we’ve gotta try to enjoy ourselves while we’re here!

Annie Hall

through line – Stanislavski on

A through line is a connecting theme or plot used in media such as films and books. it is sometimes also called the ‘spine’, and was first suggested by Konstantin Stanislavski as a simplified way for actors to think about characterization. He believed actors should not only understand what their character was doing, or trying to do, (their objective) in any given unit, but should also strive to understand the through line that linked these objectives together and thus pushed the character forward through the narrative.

https://en.wikipedia.org/wiki/Through_line

Carnivalization – Bakhtin Dostoevsky Criticism

Bakhtin argues that Dostoevsky always wrote in opposition to modern tendencies toward the “reification of man”—the turning of human beings into objects (scientific, economic, social, etc.), enclosing them in an alien web of definition and causation, robbing them of freedom and responsibility.[56] ‘Carnivalization‘ is a term used by Bakhtin to describe the techniques Dostoevsky uses to disarm this increasingly ubiquitous enemy and make true intersubjective dialogue possible. The concept suggests an ethos where normal hierarchies, social roles, proper behaviors and assumed truths are subverted in favor of the “joyful relativity” of free participation in the festival. In The Idiot, everything revolves around the two central carnival figures of the “idiot” and the “madwoman”, and consequently “all of life is carnivalized, turned into a ‘world inside out’: traditional plot situations radically change their meaning, there develops a dynamic, carnivalistic play of sharp contrasts, unexpected shifts and changes”.[57] Prince Myshkin and Nastasya Filippovna are characters that inherently elude conventional social definition, or—as Bakhtin puts it—anything that might limit their “pure humanness”. The carnival atmosphere that develops around them in each situation and dialogue (“bright and joyous” in Myshkin’s case, “dark and infernal” in Nastasya Filippovna’s) allows Dostoevsky to “expose a different side of life to himself and to the reader, to spy upon and depict in that life certain new, unknown depths and possibilities.”[58]

https://en.wikipedia.org/wiki/The_Idiot

Homelessness and the Cost of Housing – The New York Times

Advocates say Phoenix’s streets are increasingly filled with people who simply could not afford an increasingly pricey Arizona: Average rent in the Phoenix area has risen by about 70 percent over the past five years, and the number of people in shelters or living on the street has gone up by 60 percent.

“The cost of housing is the biggest thing we see,” said Kenn Weise, the mayor of the suburban city Avondale, Ariz., and chairman of the Maricopa Association of Governments, which runs the Point-in-Time Count.

The path that brought Mr. Greene to a park in downtown Phoenix, repairing a beater bicycle, began, he said, when he fell from a scaffold at his carpentry job a few years ago. Work was impossible after he crushed his leg, but he said he survived on monthly disability checks.

The rent on his apartment near the palms of Encanto Park crept up from $525 to $700 before doubling in December, part of the disappearance of modestly priced rentals around Phoenix. A decade ago, almost 90 percent of apartments around Phoenix rented for $1,000 or less. Now, just 10 percent do.

582,462 and Counting
To fix a problem like homelessness in America, you need to know its scope. To do that, you need sheriffs, social workers, volunteers, flashlights and 10 days in January.