Tag: Siskel and Ebert

Philosophical Thoughts on Movie Watching from Siskel and Ebert

Why do we go to the movies in the first place? To have a vicarious experience. For two hours we sit there and if the movie works we stop being ourselves to some degree and become the characters on the screen. And then a review to some degree should talk about whether we enjoyed that vicarious experience. —Roger Ebert…

In a 20/20 interview, he took things even further. “When you disagree on a movie,” Ebert said, “you’re not disagreeing on the movie. You’re disagreeing on who you are. If I don’t like a movie and he does, then I’m not saying that the movie is flawed, I’m saying that he’s flawed.”…

Because the crosstalk was unplanned and unscripted, it occasionally ventured off into fascinating tangents. A Siskel & Ebert movie review could mutate at a moment’s notice into a debate about philosophy, morality, or spirituality. The occasion of the 1987 fantasy film Made in Heaven, about a young man who dies, meets his soulmate in heaven, then must return to Earth to find her when she is reincarnated in a new human body, inspired Roger and Gene to talk less about the movie than their own beliefs about the afterlife.

“I believe,” Siskel revealed, “that if you think of someone, whether it be here or in someplace else, that they come alive. I think the film had a religious content to it. So I found the film beautiful.”
“Yeah, but, of course, whether or not you believe in this doesn’t have anything to do with whether the movie is good or not,” Ebert countered.
“For me, it does,” Siskel responded.
“Okay, well, in that case you think every movie you agree with is good!” Ebert said.
“I have for years,” Siskel replied.

Opposable Thumbs: How Siskel & Ebert Changed Movies Forever
Matt Singer

Note – recommended

Sneak Previews, Season 4 episode 12. Siskel and Ebert look at some movies in 1981

“Siskel and Ebert was a sitcom about two guys who lived in a movie theater.” *

Movies reviewed –
Absence of Malice
Buddy Buddy
Pixote
Ragtime

Sparky the wonder dog shows up at the end to lead into the “dogs of the week”:
The Seven Grandmasters – Ebert’s pick
Adios Amigo – Siskels pick. Incidentally, he assumed it was going to be a dog but it was actually not a dog. Couldn’t find a dog of the week.

Highest-grossing films of 1981
Title /  Distributor / Domestic gross
1. Raiders of the Lost Ark Paramount $212,222,025
2. On Golden Pond Universal $119,285,432
3. Superman II Warner Bros. $108,185,706
4. Arthur Orion Pictures/Warner Bros. $95,461,682
5. Stripes Columbia $85,297,000
6. The Cannonball Run 20th Century Fox $72,179,579
7. Chariots of Fire Warner Bros. $58,972,904
8. For Your Eyes Only United Artists $54,812,802
9. The Four Seasons Universal $50,427,646
10. Time Bandits Embassy Pictures $42,365,581
via wikipedia // Btw – Wikipedia is panhandling. I donated using Amazon pay. Took a minute, maybe. No mussing with entering any new info. Easy.

* Not my joke but I forget where I heard it.