AV Club’s 100 best movies of the 2010’s

A lot happened, in other words, over the back half of the 2010s. If there was a comfortable constant, it was that for all the changes to the cinema landscape, movies themselves still delivered. Without fail, people kept making good ones, in stubborn defiance of the bellyaching cliché that they never make ’em like they used to. Whether judged as a whole or as two five-year parts, the 2010s were a terrific decade for film; you just had to be willing to go looking for the best, and to look outside of an increasingly IP-obsessed studio system—not that the multiplex didn’t offer some gems of its own, including the movie you’ll find at the very top of The A.V. Club’s new list of the decade’s best.

AV Club

Point of Order! Review by Andrew Sarris

The strange ironies of history aside, the star of the show is still the late Joe McCarthy — and what a performer he was! One can recall his jowly menace and five-o’clock shadow, but it is shocking to rediscover his nervous giggle and his showbiz personality. There was a strangely populist appeal working for McCarthy as the last apostle of direct democracy unsullied by all the confidential “arrangements” of the well born and well educated. When Ike plugged up his keyhole after throwing Stevens to the wolves outside the door, McCarthy was finished. Even the Trotskyists, who had toyed with the idea of using McCarthy as their golem against the Stalinists, were soon bored by Joe’s ludicrous inexactitude. Curiously, Joe’s medium was neither television nor radio, and he was hardly a Huey Long out on the stump. With succinctness as his forte and fear as his gospel, McCarthy may have been the first and last demagogue of the wire services.
—Village Voice, January 16, 1964

Andrew Sarris reviewing, Point of Order!, by Emil De Antonio and Daniel Talbot, from the book, Confessions of a Cultist: On the Cinema, 1955-1969