Do you think music has an ethical component?
I can hear music that elevates me, but on the other hand there’s martial music that’s made to make people go to war. So music is neutral. It has nothing to do with ethics. Music is not on the same level as trying to understand life. We’re here for 80-something years. One lifetime is not enough to get it right. I’ll be back in another body. I’m not interested in trying to get that technical about that because I don’t need to know. What I need to know is that being a person who understands that giving is better than getting is the proper way to live. Live your life now in a positive way. Help people if you can. Don’t hurt people. That works perfectly for me, man.
The jazz icon Sonny Rollins knows life is a solo trip. By David Marchese. Feb. 21, 2020, NYTIMES
Rollins doing the saxophone with the Stones:
Taking “Street Fighting Man” to the extremes, or “Gimme Shelter.” But without a doubt it was a strange generation. The weird thing is that I grew up with it, but suddenly I’m an observer instead of a participant. I watched all these guys grow up; I watched a lot of them die. When I first got to the States, I met a lot of great guys, young guys, and I had their phone numbers, and then when I got back two or three years later, I’d call them up, and he’s in a body bag from Nam. A whole lot of them got feathered out, we all know. That’s when that shit hit home with me. Hey, that great little blondie, great guitar player, real fun, we had a real good time, and the next time, gone.
Sunset Strip in the ’60s, ’64, ’65—there was no traffic allowed through it. The whole strip was filled with people, and nobody’s going to move for a car. It was almost off-limits. You hung out in the street, you just joined the mob. I remember once Tommy James, from the Shondells—six gold records and blew it all. I was trying to get up to the Whisky a Go Go in a car, and Tommy James came by. “Hey, man.” “And who are you?” “Tommy James, man.” “Crimson and Clover” still hits me. He was trying to hand out things about the draft that day. Because obviously he thought he was about to be fucking drafted. This was Vietnam War time. A lot of the kids that came to see us the first time never got back. Still, they heard the Stones up the Mekong Delta.
Richards, Keith. Life (p. 238). Little, Brown and Company.
Back in the AOL/dial-up era, Mick Jagger was on one of AOL’s live chat room events. From memory –
How does it feel knowing you are still being outsold by The Beatles even though they’ve been broken up for thirty years? *
My name is Michel and I’m from Quebec, so pardon my English …
Ca va Michel
Also, Mick said that it was possible to get addicted to anything. “Even something as banal as chatrooms.”
Here’s how Scott Rosenberg of the San Francisco Examiner described his attempt to watch Mick Jagger’s appearance.
“I Can’t Get No Interaction”
You couldn’t see the thick lips, and you couldn’t hear the thick British drawl. But Monday night on America Online, you could watch Mick Jagger type.
The online celebrity forum is an increasingly common marketing tool that puts a famous name behind a keyboard to take questions from a crowd of cyber-onlookers…It’s a pretty inefficient way to find out stuff about the rich and famous–though it does provide the best insight yet available into their typing skills. Like many others, I spent the hour from 6 to 7 p.m. vainly clicking on the AOL “Coliseum” icon, pounding on the door to the room where Jagger was answering questions.
I wound up with a bunch of other Jagger turnaways in another AOL forum, the Odeon, where Oingo Boingo bandleader and movie-soundtrack composer Danny Elfman was also holding an online chat.
Question: Loved “wierd science” & “dead man’s party”. How about a new Oingo album?
Elfman 1: Are you trying to piss me off or what? I just came out with a new Boingo album. Why the f*** do you think I’m here right now?
* referring to this, presumably –
1 is a compilation album by the English rock band the Beatles, originally released on 13 November 2000. The album features virtually every number-one single the band achieved in the United Kingdom and United States from 1962 to 1970. Issued on the 30th anniversary of the band’s break-up…
… “He’s vit me!” And it worked. Before I knew it, I was onstage with the Rolling Stones.
Freddy led me to a cubbyhole, right next to the backup singers. It held a dozen or so people and was sort of like a baseball dugout. Jerry Hall was in there, and so was Keith’s dad. We were getting a slightly skewed view
For better or worse, I was seeing what the Stones see. And it helped me understand why rock stars get fucked up. Being in front of 60,000 screaming fans for two hours can be an overwhelming experience. There is no way to healthily match that intensity when the tour is over and you’re home in your slippers eating corn flakes.”
Under Their Thumb, Bill German