Tag: History

Bob Marley – Card Carrying UAW Member

NOTE – Guess it’s not just the United Auto Workers now:

WHO WE ARE
The International Union, United Automobile, Aerospace and Agricultural Implement Workers of America (UAW) is one of the largest and most diverse unions in North America, with members in virtually every sector of the economy.

UAW-represented workplaces range from multinational corporations, small manufacturers and state and local governments to colleges and universities, hospitals and private non-profit organizations.

The UAW has more than 400,000 active members and more than 580,000 retired members in the United States, Canada and Puerto Rico.

https://uaw.org/about/

Portrait of Felix Feneon – Paul Signac

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890 (French: Opus 217. Sur l’émail d’un fond rythmique de mesures et d’angles, de tons et de teintes, Portrait de M. Félix Fénéon en 1890) is an 1890 oil painting by French artist Paul Signac. The Neo-impressionist work depicts the French art critic Félix Fénéon standing in front of a swirling coloured background. It has been held by the Museum of Modern Art in New York since 1991.

Wikipedia

London Pride March – 50th Anniversary

Hundreds of LGBTQ+ community groups attended the march from Hyde Park Corner to Whitehall Palace earlier.

Revellers wearing face paint, glitter, jewels and sequins joined the celebrations as Pride returned for the first time since the Covid-19 pandemic.

The event, hailed as the most inclusive in history, included performances from Ava Max and Emeli Sande.

The parade paid homage to the original 1972 march, organised by the Gay Liberation Front (GLF), and saw revellers pass significant sites from the UK’s LGBTQ+ movement.

BBC

Related historical note, here’s how things were in the early 70’s, in New York:
“Arthur Bell, culture writer for The Village Voice, was arrested for holding another man’s hand as they crossed the street. You read that correctly. It was 1973, and you could still be arrested for holding another man’s hand in public.”

I Was Better Last Night
Harvey Fierstein

Mat Johnson Interview – Fresh Air

On feeling pressure to push through his own frustrations because of what his ancestors endured

There’s so many times when things get really dark, whether it’s on a personal or societal level, the impulse is just to give up. And I think about that when I want to give up in different ways. Like, what I’m enduring is nothing compared to what my African ancestors endured, just in the sail from West Africa to the States, just that part alone, in addition to the 100 years of violent oppression and sexual assault.

And then on my white side and the Irish side, they came here from a place where they’re being starved to death. And they managed to just come out of incredibly bleak circumstances and make it across the sea and live in poverty for a couple of generations. And thank God for the GI Bill. …

I think putting it in that context is sometimes the only thing I can do that forces me to put my own frustrations and my own feelings of nihilism in perspective, because there’s an incredible strength in that, that people who endured the worst possible things that we can imagine … were able to have enough hope. Because that’s what it is — hope that tomorrow would be better. We’re talking about people whose kids were enslaved from the moment they came out of the womb. But they still had enough faith and hope that things could get better. And if they can do it, it seems insulting and disrespectful to their legacy if I don’t try to do that.

Fresh Air

See also: Ethical Obligation to be Optimistic

Rita Hayworth – Anecdote

I visited publicist Tom Miller in Mexico on the set of “The Wrath of God,” Rita Hayworth’s last completed movie, I assume the one on which Mr. Langella had the brief affair with her (not his only affair on the film). One evening we had a nightcap with Rita. (Rita’s idea of a nightcap was a vodka and tonic to which she kept adding vodka to keep the glass filled and flavored. Tom decided thought she was drinking to give herself an excuse for not remembering, for already, as he saw in retrospect, there were signs of encroaching Alzheimer’s.)

Tom staged some of the last glamor shots taken of her , but they were never used because MGM threw the film away. (It wasn’t all that great, but what Ralph Nelson film ever was? But it wasn’t all that bad either. And what with her and Mitchum in their latter years and Frank Langella playing Rita’s son (!), it really deserves a decent video release.)

One night in Mexico City Tom dined out with Rita, and when they got back to her hotel,they discovered the Mexican equivalent of the Oscars being presented in one of the meeting halls. Rita was tuned on. “Let’s go!” Rita said. Tom replied, “Rita, we don’t have an invitation!” She looked at him and said, “But I am Rita Hayworth!” Tom said, “So you are.” He spoke to an attendant at the door, who ran up the MC, who announced to the crowd the presence of a surprise guest. She went up on the stage to a standing ovation. I wish someone would discover footage of that moment.

Theater Talkback: Frank Langella Telling Tales
BY CHARLES ISHERWOOD

From the comments section.

Capsule History of Broadway

While Broadway theaters are colloquially considered to be “on Broadway”, only two active Broadway theaters are physically on Broadway (the Broadway Theatre and Winter Garden Theatre).[5][a] The Vivian Beaumont Theater, located in Lincoln Center, is the furthest north and west of the active theaters, while the Nederlander Theatre is the southernmost and the Belasco Theatre is the easternmost space. The oldest Broadway theaters still in use are the Hudson TheatreLyceum Theatre, and New Amsterdam Theatre, all opened in 1903, while the most recently constructed theater is the Lyric Theatre, built in 1998. The largest of the Broadway theaters is the 1,933-seat Gershwin Theatre, while the smallest is the 597-seat Hayes Theater.

The beginning of Broadway theater can be traced to the 19th-century influx of immigrants to New York City, particularly Yiddish, German and Italian, who brought with them indigenous and new forms of theater. The development of indoor gas lighting around this same time period allowed for the construction of permanent spaces for these novel theatrical forms. Early varietyburlesque, and minstrelsy halls were built along Broadway below Houston Street. As the city expanded north, new theaters were constructed along the thoroughfare with family-friendly vaudeville, developed by Tony Pastor, clustering around Union Square in the 1860s and 1870s, and larger opera houseshippodromes, and theaters populating Broadway between Union Square and Times Square later in the century. Times Square became the epicenter for large scale theater productions between 1900 and the Great Depression.[1]

There is no standard date that is considered the beginning of Broadway-style theatre.[8] A few landmarks that are considered the beginning of the Broadway era include the 1866 opening of The Black Crook at Niblo’s Garden, considered the first piece of American style musical theater,[9][10] the 1913 founding of the Actors’ Equity Association, the union for New York Theater performers, and the 1919 Actors’ Equity Association strike which gave actors and performers the recognition of a “fully legitimate professional trade”.[8] Mary Henderson in her book The City and the Theatre breaks down theater on the street Broadway into three time periods. “Lower Broadway” from 1850 to 1870, “Union Square and Beyond” from 1870 to 1899, and “Times Square: the First Hundred Years” (1900–2000).[8] The current official Broadway/Off-Broadway division began with the 1949 Actors’ Equity agreement.[2][3]

https://en.wikipedia.org/wiki/List_of_Broadway_theaters