The following are recommended, in no particular order. Selections mine, blurbs via Amazon.
William Shakespeare (audio book)
Shakespeare’s most famous play is one of the greatest stories in the literature of the world.
Distressed by his father’s death and his mother’s over-hasty remarriage, Hamlet, Prince of Denmark, is faced by a specter from beyond the grave bearing a grim message of murder and revenge. The young prince is driven to the edge of madness by his struggle to understand the situation he finds himself in and to do his duty. Many others, including Hamlet’s beloved, the innocent Ophelia, are swept up in his tragedy.
Hamlet is played by Simon Russell Beale. Imogen Stubbs plays Ophelia, Jane Lapotaire is Gertrude, and Bob Peck is Claudius. Polonius is played by Norman Rodway.
It’s the cast that makes this an exceptional Hamlet.
A Cab at the Door
A Cab at the Door, originally published in 1968, recalls his childhood in turn-of-the-century and World War I London with the urbane subtlety and wry humor that have marked his other works. For the wild and eccentric Pritchett family, life is a series of cabs waiting at the door to transport them to a succession of ten-bob-a-week lodgings, in their flight from creditors and the financial disasters of their father. A Cab at the Door also captures the texture and color of the working-class side of Edwardian England.
10% Happier – How I Tamed the Voice in My Head, Reduced Stress Without Losing My Edge, and Found Self-Help That Actually Works
Nightline anchor Dan Harris embarks on an unexpected, hilarious, and deeply skeptical odyssey through the strange worlds of spirituality and self-help, and discovers a way to get happier that is truly achievable. Now revised with new material.
After having a nationally televised panic attack, Dan Harris knew he had to make some changes. A lifelong nonbeliever, he found himself on a bizarre adventure involving a disgraced pastor, a mysterious self-help guru, and a gaggle of brain scientists. Eventually, Harris realized that the source of his problems was the very thing he always thought was his greatest asset: the incessant, insatiable voice in his head, which had propelled him through the ranks of a hypercompetitive business, but had also led him to make the profoundly stupid decisions that provoked his on-air freak-out.
Between Breaths: A Memoir of Panic and Addiction
From the moment she uttered the brave and honest words, “I am an alcoholic,” to interviewer George Stephanopoulos, Elizabeth Vargas began writing her story, as her experiences were still raw. Now, in Between Breaths, Vargas discusses her accounts of growing up with anxiety–which began suddenly at the age of six when her father served in Vietnam–and how she dealt with this anxiety as she came of age, eventually turning to alcohol for a release from her painful reality. The now-A&E Network reporter reveals how she found herself living in denial about the extent of her addiction, and how she kept her dependency a secret for so long. She addresses her time in rehab, her first year of sobriety, and the guilt she felt as a working mother who could never find the right balance between a career and parenting. Honest and hopeful, Between Breaths is an inspiring read. Winner of the Books for a Better Life Award in the First Book category Instant New York Times and USA Today Bestseller
One Day in the Life of Ivan Denisovich
First published in the Soviet journal Novy Mir in 1962, One Day in the Life of Ivan Denisovich stands as a classic of contemporary literature. The story of labor-camp inmate Ivan Denisovich Shukhov, it graphically describes his struggle to maintain his dignity in the face of communist oppression. An unforgettable portrait of the entire world of Stalin’s forced work camps, One Day in the Life of Ivan Denisovich is one of the most extraordinary literary documents to have emerged from the Soviet Union and confirms Solzhenitsyn’s stature as “a literary genius whose talent matches that of Dosotevsky, Turgenev, Tolstoy” — Harrison Salisbury
Abe Ravelstein is a brilliant professor at a prominent midwestern university and a man who glories in training the movers and shakers of the political world. He has lived grandly and ferociously-and much beyond his means. His close friend Chick has suggested that he put forth a book of his convictions about the ideas which sustain humankind, or kill it, and much to Ravelstein’s own surprise, he does and becomes a millionaire. Ravelstein suggests in turn that Chick write a memoir or a life of him, and during the course of a celebratory trip to Paris the two share thoughts on mortality, philosophy and history, loves and friends, old and new, and vaudeville routines from the remote past. The mood turns more somber once they have returned to the Midwest and Ravelstein succumbs to AIDS and Chick himself nearly dies
Water by the Spoonful
Quiara Alegría Hudes
“How many plays make us long for grace? Water by the Spoonful by Quiara Hudes is such a rare play; it is a yearning, funny, deeply sad and deeply lyrical piece, a worthy companion to Hudes’s Elliot, A Soldier’s Fugue. The play infects us with the urge to find connection within our families and communities and remains with us long after we’ve left the theater.” – Paula Vogel, Pulitzer Prize-winning author of How I Learned to Drive
Writing to Learn: How to Write – and Think – Clearly About Any Subject at All
Using numerous examples of clear, stylish writing from a broad range of disciplines, and adding the warmth of his personal experiences, Zinsser makes a strong case for his claim that writing about a field of knowledge is the best way to immerse oneself in it and to make it one’s own. Three guiding principles emerge accuracy, brevity, and clarity and, Zinsser argues, writers who keep them in mind will avoid much of the misunderstanding that results from bad writing. Zinnser has particularly harsh words for what he calls “corporation-speak,” the incomprehensible nonsense that invades many professional publications. His reference, whose title so accurately sums up its philosophy, should become a standard for those who care about good writing.
Our Country’s Good
Australia 1789. A young married lieutenant is directing rehearsals of the first play ever to be staged in that country. With only two copies of the text, a cast of convicts, and one leading lady who may be about to be hanged, conditions are hardly ideal…Winner of the Laurence Olivier Play of the Year Award in 1988, and many other major awards, Our Country’s Good premiered at the Royal Court Theatre, London, in 1988 and opened on Broadway in 1991. ‘Rarely has the redemptive, transcendental power of theatre been argued with such eloquence and passion.’