The New York Times Book Review has just turned 125. That got us wondering: What is the best book that was published during that time? We’d like to hear from you. For the month of October we’ll take nominations, in November we’ll ask you to vote on a list of finalists and in December we’ll share the winner.
All the Light We Cannot See
The Catcher in the Rye
A Confederacy of Dunces
The Fellowship of the Ring
A Fine Balance
A Gentleman in Moscow
Gone With the Wind
The Grapes of Wrath
The Great Gatsby
The Handmaid’s Tale
Harry Potter and the Sorcerer’s Stone
To Kill a Mockingbird
A Little Life
One Hundred Years of Solitude
A Prayer for Owen Meany
A Tree Grows in Brooklyn
In a recital like this there is certainly something suggestive of pathology. The next step into mystical states carries us into a realm that public opinion and ethical philosophy have long since branded as pathological, though private practice and certain lyric strains of poetry seem still to bear witness to its ideality. I refer to the consciousness produced by intoxicants and anaesthetics, especially by alcohol. The sway of alcohol over mankind is unquestionably due to its power to stimulate the mystical faculties of human nature, usually crushed to earth by the cold facts and dry criticisms of the sober hour. Sobriety diminishes, discriminates, and says no; drunkenness expands, unites, and says yes. It is fact the great exciter of the Yes function in man. It brings its votary from the chill periphery of things to the radiant core. It makes him for the moment one with truth. Not through mere perversity do men run after it. To the poor and the unlettered it stands in the place of symphony concerts and of literature; and it is part of the deeper mystery and tragedy of life that whiffs and gleams of something that we immediately recognize as excellent should be vouchsafed to so many of us only in the fleeting earlier phases of what in its totality is so degrading a poisoning. The drunken consciousness is one bit of the mystic consciousness, and our total opinion of it must find its place in our opinion of that larger whole.
“ I accept the universe” is reported to have been a favorite utterance of our New England transcendentalist, Margaret Fuller; and when some one repeated this phrase to Thomas Carlyle, his sardonic comment is said to have been : “ Gad ! she’d better ! ” At bottom the whole concern of both morality and religion is with the manner of our acceptance of the universe. Do we accept it only in part and grudgingly, or heartily and altogether ? Shall our protests against certain things in it be radical and unforgiving, or shall we think that, even with evil, there are ways of living that must lead to good? If we accept the whole, shall we do so as if stunned into submission, — as Carlyle would have us — “ Gad ! we’d better ! ” — or shall we do so with enthusiastic assent ? Morality pure and simple accepts the law of the whole which it finds reigning, so far as to acknowledge and obey it, but it may obey it with the heaviest and coldest heart, and never cease to feel it as a yoke. But for religion, in its strong and fully developed manifestations, the service of the highest never is felt as a yoke. Dull submission is left far behind, and a mood of welcome, which may fill any place on the scale between cheerful serenity and enthusiastic gladness, has taken its place.
It makes a tremendous emotional and practical difference to one whether one accept the universe in the drab discolored way of stoic resignation to necessity, or with the passionate happiness of Christian saints.
“Homo duplex, homo duplex ! ” writes Alphonse Daudet. “The first time that I perceived that I was two was at the death of my brother Henri, when my father cried out so dramatically, ‘He is dead, he is dead ! ’ While my first self wept, my second self thought, ‘How truly given was that cry, how fine it would be at the theatre.’ I was then fourteen years old.
“This horrible duality has often given me matter for reflection. Oh, this terrible second me, always seated whilst the other is on foot, acting, living, suffering, bestirring itself. This second me that I have never been able to intoxicate, to make shed tears, or put to sleep. And how it sees into things, and how it mocks! ”
James, William. The Varieties of Religious Experience Amazon
“We stand on a mountain pass in the midst of whirling snow and blinding mist, through which we get glimpses now and then of paths which may be deceptive. If we stand still we shall be frozen to death. If we take the wrong road we shall be dashed to pieces. We do not certainly know whether there is any right one. What must we do? ‘Be strong and of a good courage.’ Act for the best, hope for the best, and take what comes.… If death ends all, we cannot meet death better.”
Fitz James Stephen, quoted in The Will to Believe, William James.
Conceive yourself, if possible, suddenly stripped of all the emotion with which your world now inspires you, and try to imagine it as it exists, purely by itself, without your favorable or unfavorable, hopeful or apprehensive comment. It will be almost impossible for you to realize such a condition of negativity and deadness. No one portion of the universe would then have importance beyond another; and the whole collection of its things and series of its events would be without significance, character, expression, or perspective.
In Tolstoy’s case the sense that life had any meaning whatever was for a time wholly withdrawn. The result was a transformation in the whole expression of reality. When we come to study the phenomenon of conversion or religious regeneration, we shall see that a not infrequent consequence of the change operated in the subject is a transfiguration of the face of nature in his eyes. A new heaven seems to shine upon a new earth. In melancholiacs there is usually a similar change, only it is in the reverse direction. The world now looks remote, strange, sinister, uncanny. Its color is gone, its breath is cold, there is no speculation in the eyes it glares with. “It is as if I lived in another century,” says one asylum patient.—”I see everything through a cloud,” says another, “things are not as they were, and I am changed.”—”I see,” says a third, “I touch, but the things do not come near me, a thick veil alters the hue and look of everything.”—”Persons move like shadows, and sounds seem to come from a distant world.”—”There is no longer any past for me; people appear so strange; it is as if I could not see any reality, as if I were in a theatre; as if people were actors, and everything were scenery; I can no longer find myself; I walk, but why? Everything floats before my eyes, but leaves no impression.”—”I weep false tears, I have unreal hands: the things I see are not real things.”—Such are expressions that naturally rise to the lips of melancholy subjects describing their changed state.
The Varieties of Religious Experience, William James, via wikisource
Faith means belief in something concerning which doubt is still theoretically possible; and as the test of belief is the willingness to act, one may say that faith is the readiness to act in a cause the prosperous issue of which is not certified to us in advance. It is in fact the same moral quality which we call courage in practical affairs… The Sentiment of Rationality, William James
Well I guess it would be nice
If I could touch your body
I know not everybody
Has got a body like you, uhh Faith, George Michael
“In the Louvre there is a picture, by Guido Reni, of St. Michael with his foot on Satan’s neck. The richness of the picture is in large part due to the fiend’s figure being there. The richness of its allegorical meaning also is due to his being there — that is, the world is all the richer for having a devil in it, so long as we keep our foot upon his neck.”
The Varieties of Religious Experience, Lecture II, “Circumscription of the Topic”, William James wikiquote
There is, accordingly, no better known or more generally useful precept in the moral training of youth, or in one’s personal self-discipline, than that which bids us pay primary attention to what we do and express, and not to care too much for what we feel. If we only check a cowardly impulse in time, for example, or if we only don’t strike the blow or rip out with the complaining or insulting word that we shall regret as long as we live, our feelings themselves will presently be the calmer and better, with no particular guidance from us on their own account. Action seems to follow feeling, but really action and feeling go together; and by regulating the action, which is under the more direct control of the will, we can indirectly regulate the feeling, which is not.
Thus the sovereign voluntary path to cheerfulness, if our spontaneous cheerfulness be lost, is to sit up cheerfully, to look round cheerfully, and to act and speak as if cheerfulness were already there. If such conduct does not make you soon feel cheerful, nothing else on that occasion can. So to feel brave, act as if we were brave, use all our will to that end, and a courage-fit will very likely replace the fit of fear. Again, in order to feel kindly toward a person to whom we have been inimical, the only way is more or less deliberately to smile, to make sympathetic inquiries, and to force ourselves to say genial things. One hearty laugh together will bring enemies into a closer communion of heart than hours spent on both sides in inward wrestling with the mental demon of uncharitable feeling. To wrestle with a bad feeling only pins our attention on it, and keeps it still fastened in the mind: whereas, if we act as if from some better feeling, the old bad feeling soon folds its tent like an Arab, and silently steals away.
The best manuals of religious devotion accordingly reiterate the maxim that we must let our feelings go, and pay no regard to them whatever. In an admirable and widely successful little book called ‘The Christian’s Secret of a Happy Life,’ by Mrs. Hannah Whitall Smith, I find this lesson on almost every page. Act faithfully, and you really have faith, no matter how cold and even how dubious you may feel. “It is your purpose God looks at,” writes Mrs. Smith, “not your feelings about that purpose; and your purpose, or will, is therefore the only thing you need attend to. . . . Let your emotions come or let them go, just as God pleases, and make no account of them either way. . . . They really have nothing to do with the matter. They are not the indicators of your spiritual state, but are merely the indicators of your temperament or of your present physical condition.”
The permanent presence of the sense of futurity in the mind has been strangely ignored by most writers, but the fact is that our consciousness at a given moment is never free from the ingredient of expectancy. Every one knows how when a painful thing has to be undergone in the near future, the vague feeling that it is impending penetrates all our thought with uneasiness and subtly vitiates our mood even when it does not control our attention; it keeps us from being at rest, at home in the given present. The same is true when a great happiness awaits us. But when the future is neutral and perfectly certain, ‘we do not mind it,’ as we say, but give an undisturbed attention to the actual. Let now this haunting sense of futurity be thrown off its bearings or left without an object, and immediately uneasiness takes possession of the mind. But in every novel or unclassified experience this is just what occurs; we do not know what will come next ; and novelty per se becomes a mental irritant, while custom per se is a mental sedative, merely because the one baffles while the other settles our expectations.
Every reader must feel the truth of this. What is meant by coming ‘to feel at home’ in a new place, or with new people? It is simply that, at first, when we take up our quarters in a new room, we do not know what draughts may blow in upon our back, what doors may open, what forms may enter, what interesting objects may be found in cupboards and corners. When after a few days we have learned the range of all these possibilities, the feeling of strangeness disappears. And so it does with people, when we have got past the point of expecting any essentially new manifestations from their character.
THE SENTIMENT OF RATIONALITY, William James wikisource