Tag: Reality

Who’s More Real – The Character or the Actor Playing the Character – Pirandello Quote

FATHER …On the contrary, I was inviting you to come out of this game [with a warning look at the LEADING LADY]—of art! Art!—which you play here with your actors; and I ask you once again quite seriously: who are you?

DIRECTOR [turning to the ACTORS, astonished and also irritated]. Well, what a bloody nerve! Someone who claims to be a character comes and asks me who I am!

FATHER [dignified, but not overbearing]. A character, sir, may always ask a man who he is. Because a character really has a life of his own, marked by his own traits, which means that he is always ‘someone’. But a man—I’m not talking about you, but about man in general—a man may well be ‘nobody’.

DIRECTOR Maybe. But you’re asking me, me the Director, the boss! Have you got that?

FATHER [almost under his breath, modestly soft-spoken]. It’s a matter of knowing, sir, whether you, as you are now, really see yourself … in the same way, for example, as you see in retrospect what you once were, with all the illusions you then had; with all those things within and around you, as they then seemed—and indeed truly were for you. Well, sir, when you think back on those illusions which you now no longer have, on everything that no longer ‘seems’ what once for you it ‘was’—don’t you feel, not the boards of this stage, but the earth, the earth itself, give way beneath your feet? For you must conclude that in the same way all ‘this’ that you feel now, all your reality of today, as it is, is destined to seem illusion tomorrow.

DIRECTOR [not understanding much and stunned by the specious argument]. So what? What are you trying to prove?

FATHER. Oh, nothing, sir. Only to make you see that if we [indicating himself and the other CHARACTERS] have no reality beyond the illusion, then maybe you also shouldn’t count too much on your own reality, this reality which you breathe and touch in yourself today, because—like yesterday’s—inevitably, it must reveal itself as illusion tomorrow.

Six Characters in Search of an Author
Luigi Pirandello

Seeing Your Life Onscreen – Aaron Sorkin Discusses The Social Network – Deadline Interview

DEADLINE: We know Mark Zuckerberg didn’t cooperate but did you ever meet Eduardo Saverin, the character played by Andrew Garfield?
SORKIN: Once Eduardo signed that non-disclosure agreement after his settlement, he disappeared off the face of the earth. We don’t know exactly how much he received, but it’s in the hundreds of millions. And it will probably go over a billion because he also does now own a lot of Facebook stock. But on October 1st, the movie opened and that’s the day I met Eduardo. I got a phone call from our producer Scott Rudin that a representative for Eduardo had contacted him late at night. He wanted to see the movie. So we set up a private screening for him in New York right before Lady Gaga’s private screening. It’s true. I went to meet him when the movie was over and you could have performed surgery on him without anesthesia at that point in time. I gotta say, he was a deer in the headlights which is an understatement. He did certainly expect to like the movie a lot, but you could tell in his face that he had just relived the thing. It’s an unreasonable experience that hardly anybody, including myself, knows what it’s like to have a chapter from your life suddenly written, directed, lit, shot, and performed by actors. That was the first and only time I met Eduardo.

Deadline

The blind men and the elephant

A group of blind men heard that a strange animal, called an elephant, had been brought to the town, but none of them were aware of its shape and form. Out of curiosity, they said: “We must inspect and know it by touch, of which we are capable”. So, they sought it out, and when they found it they groped about it. In the case of the first person, whose hand landed on the trunk, said “This being is like a thick snake”. For another one whose hand reached its ear, it seemed like a kind of fan. As for another person, whose hand was upon its leg, said, the elephant is a pillar like a tree-trunk. The blind man who placed his hand upon its side said, “elephant is a wall”. Another who felt its tail, described it as a rope. The last felt its tusk, stating the elephant is that which is hard, smooth and like a spear.

via wikipedia

Pirandello’s Henry IV remembers a priest sleeping in a public garden

Henry IV: Look here, doctor! I remember a priest, certainly Irish, a nice-looking priest, who was sleeping in the Sun one November day, with his arm on the corner of the bench of a public garden. He was lost in the golden delight of the mild sunny air which must have seemed for him almost summery. One may be sure in that moment he did not know any more that he was a priest, or even where he was. He was dreaming… A little boy passed with a flower in his hand. He touched the priest with it here on the neck. I saw him open his laughing eyes, while all his mouth smiled with the beauty of his dream. He was forgetful of everything… But all at once, he pulled himself together, and stretched out his priest’s cassock; and there came back to his eyes the same seriousness which you have seen in mine; because the Irish priests defend the seriousness of their Catholic faith with the same zeal with which I defend the secret rights of the heredity monarch! I am cured gentlemen: because I can act the mad man to perfection, here; and I do it very quietly, I’m only sorry for you that have to live your madness so agitatedly, without knowing it or seeing it.

Henry IV, Luigi Pirandello

Self inflicted gaslighting – Bad Habit or Mental Exercise?

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