In the Hollywood movie industry, a four-quadrant movie is one which appeals to all four major demographic “quadrants” of the moviegoing audience: both male and female, and both over- and under-25s. Films are generally aimed at at least two such quadrants, and most tent-pole films are four-quadrant movies. A film’s budget is often correlated to the number of quadrants the film is expected to reach, and movies are rarely produced if not focused on at least two quadrants.
Although four-quadrant movies are generally family-friendly, this is not a requirement. Some other genres meeting this may be romantic (such as Titanic and Meet the Parents) or horror films (The Exorcist), or be crowd-pleasing in nature, such as high-profile action films or adaptations of popular novels. Four-quadrant movies often have both adult and child protagonists. They are often built on a “high-concept” premise with well-delineated heroes and villains, with emotion, action and danger present in the story.
There is no number for my offence in the vehicle code, I don’t think. Drunk Mouth is what I call it.
Another time I was driving my Aston Martin about 125 miles an hour over Waldo Grade. I didn’t bother to check the oil gauge. So, down at the bottom of a hill, on the Richardson Bridge, smoke and flames started coming out of the engine. Someone in a Volkswagon pulled over and said, “Do you want me to get the highway patrol for you?” I said, “Yes, please.” So he went and got the highway patrol. This cop weighs 205 pounds and has his thumbs hooked in his belt, which has a potbelly over it. I just didn’t like the looks of him. He said, “O.K., what’s going on here?” Remember, there are flames coming out of my car. I said, “What the fuck does it look like is going on? I’m having a goddamn party at four A.M. with fucking flames coming out of my car.” That’s the way I’m talking to him. “Down to the Civic Center, you drunk,” he says. Drunk Mouth, again.
Grace Slick, quoted in The Courage to Change: Personal Conversations about Alcoholism
All those people in their cozy little apartments from CozyPlaces
n. the realization that each random passerby is living a life as vivid and complex as your own—populated with their own ambitions, friends, routines, worries and inherited craziness—an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you’ll never know existed, in which you might appear only once, as an extra sipping coffee in the background, as a blur of traffic passing on the highway, as a lighted window at dusk.
Common usage – “New York and adjacent cities”
Contemporary usage – ‘adjacent’ as meaning close to but not exactly standard.
Example – “I don’t think of Soundgarden as heavy metal, but they are heavy metal adjacent.”
Desultory notes, as in:
Definition of desultory
1 : marked by lack of definite plan, regularity, or purpose
a dragged-out ordeal of … desultory shopping —Herman Wouk
2 : not connected with the main subject desultory comments
3 : disappointing in progress, performance, or quality a desultory fifth place finish a desultory wine
Not as in:
Desultory was part of the first wave of Swedish death metal bands, alongside Entombed, Dismember, and others. Into Eternity, their Metal Blade debut following a lesser-known EP release, is standard for the genre, energetic and forceful, straddling the line between the more brutal American death style and the melodic Gothenburg variety.
TECHNOLOGY BIGOT –
tech·nol·o·gy big·ot \ tek-ˈnä-lə-jē bi-gət \
Definition of TECHNOLOGY BIGOT
An individual who believes that their particular approach to a technical problem is the only one.
Example of TECHNOLOGY BIGOT in a sentence
“I get it, you like Oracle databases. But do you ever ask yourself if you’re just another TECHNOLOGY BIGOT?”
In philosophy, anamnesis (/ˌænæmˈniːsɪs/; Ancient Greek: ἀνάμνησις) is a concept in Plato’s epistemological and psychological theory that he develops in his dialogues Meno and Phaedo, and alludes to in his Phaedrus.
It is the idea that humans possess knowledge from past incarnations and that learning consists of rediscovering that knowledge within us.