“Seated at my own table in clear noonday light I saw a person whom, without my previous experience, I should have taken at the first blush for some housemaid who might have stayed at home to look after the place and who, availing herself of rare relief from observation and of the schoolroom table and my pens, ink, and paper, had applied herself to the considerable effort of a letter to her sweetheart.”
The Turn of the Screw
“One day, however, a visitor had arrived. The two young persons, after spending an hour on the river, strolled back to the house and perceived Lord Warburton sitting under the trees and engaged in conversation, of which even at a distance the desultory character was appreciable, with Mrs. Touchett. He had driven over from his own place with a portmanteau and had asked, as the father and son often invited him to do, for a dinner and a lodging. Isabel, seeing him for half an hour on the day of her arrival, had discovered in this brief space that she liked him; he had indeed rather sharply registered himself on her fine sense and she had thought of him several times. She had hoped she should see him again–hoped too that she should see a few others. Gardencourt was not dull; the place itself was sovereign, her uncle was more and more a sort of golden grandfather, and Ralph was unlike any cousin she had ever encountered–her idea of cousins having tended to gloom. Then her impressions were still so fresh and so quickly renewed that there was as yet hardly a hint of vacancy in the view. But Isabel had need to remind herself that she was interested in human nature and that her foremost hope in coming abroad had been that she should see a great many people.”
Portrait of a Lady
“He met you as if you had knocked and he had bidden you enter. Strether, who hadn’t seen him for so long an interval, apprehended him now with a freshness of taste, and had perhaps never done him such ideal justice. The head was bigger, the eyes finer, than they need have been for the career; but that only meant, after all, that the career was itself expressive. What it expressed at midnight in the gas-glaring bedroom at Chester was that the subject of it had, at the end of years, barely escaped, by flight in time, a general nervous collapse. But this very proof of the full life, as the full life was understood at Milrose, would have made to Strether’s imagination an element in which Waymarsh could have floated easily had he only consented to float. Alas nothing so little resembled floating as the rigour with which, on the edge of his bed, he hugged his posture of prolonged impermanence. It suggested to his comrade something that always, when kept up, worried him–a person established in a railway-coach with a forward inclination. It represented the angle at which poor Waymarsh was to sit through the ordeal of Europe.”
Project Gutenberg offers over 57,000 free eBooks. Choose among free epub books, free kindle books, download them or read them online. You will find the world’s great literature here, with focus on older works for which copyright has expired. Thousands of volunteers digitized and diligently proofread the eBooks, for enjoyment and education.
Here’s a link to their William James collection – https://www.gutenberg.org/ebooks/author/325
Johannes Gutenberg, c. 1400 – February 3, 1468 was a German blacksmith, goldsmith, printer, and publisher who introduced printing to Europe with the printing press. His introduction of mechanical movable type printing to Europe started the Printing Revolution and is regarded as a milestone of the second millennium, ushering in the modern period of human history. It played a key role in the development of the Renaissance, Reformation, the Age of Enlightenment, and the scientific revolution and laid the material basis for the modern knowledge-based economy and the spread of learning to the masses.
A shot where the camera is fixed in one position while the action continues off-screen. It says life is messy and can not be contained by a camera. Beloved by Woody Allen and the dolly grips who can take the afternoon off.
Another interpretation I read: It says the world goes on without us. I think this take was from Andrew Sarris and he was referring to Robert Bresson. But I can’t find the specific reference. Could be wrong. *
Film Studies 101: The 30 Camera Shots Every Film Fan Needs To Know Empire Online, By Ian Freer, illustrations by Olly Gibbs Posted 02 Oct 2015
* Quote found:
“Bresson has been criticized on at least one occasion for showing a place a beat or two after the people have departed, thus fading out on geography rather than humanity. Far from being a flaw, this Bressonian mannerism expresses an attitude of man’s place in the universe. For Bresson, place precedes and transcends person, since the world was here before we came and will be here long after we are gone.”
The Trial of Joan of Arc, review by Andrew Sarris. Originally in The Village Voice, quoted here from Confessions of A Cultist: One the Cinema, 1955 – 1969
Resistance Slows the Flow of Creativity
Our resistance to feel can be so ingrained that we sometimes feel a little ashamed when we express certain emotions. We get embarrassed. We fear that some of our feelings may be regarded as weak.
It’s actually counterproductive to eliminate any one human emotion. If you categorize certain emotions as “good” and certain ones as “bad,” an attempt will be made to eliminate the “bad” ones. This will shut your instincts down. By discriminating against one emotion, you discriminate against them all.
Consciously or unconsciously, emotions organically move through us all the time. Each of us is a part of the whole of the human consciousness. Each one of us can relate to and reach into each other’s sufferings, hopes, and realities. Each one of us can feel because we share the commonality of the scale of all emotions. It just takes willingness. Your emotions are your most important asset. In the work, the last place an actor needs any of his feelings to be is in hiding.
In acting, a weak performance is being stuck in one emotion or choice.
Marriott Workers on Strike in Detroit, Boston, Hawaii, Oakland, San Diego, San Francisco, and San Jose
3BLUE1BROWN SERIES. HIGHLY recommended if you are looking to grok linear algebra.
Cindy Sherman’s series ‘Untitled film stills’ took place over a five-year period beginning in 1977 when she was 23 years old. In small black-and-white photographs, she impersonated various female character types from old B-grade movies and film noir. As both performer and director, Sherman investigated the diverse ways in which glamorous mass-mediated images socialise us or discipline us, fool us or placate us.
Japancakes – Theme for a Film
Ordered a book and gloves and it says they were delivered and they weren’t.
You are now connected to Cyrene from Amazon.com
Hello, my name is Cyrene. I’m here to help you today.
Oh! I’m sorry that you did not receive the item that was scanned as delivered.
The order in question says delivered on Friday.
Ok. Continue reading Amazon help chatbot Turing test
“Happiness,” the French novelist Henry de Montherlant observed, “writes in white ink on a white page.” No one wants to read about contented people leading untroubled lives. Characters in novels must want something if they are to hold our interest, and they mustn’t get it without a fight. Contentment, in fiction, is almost always boring. But does this law extend beyond fiction itself? Does it encompass not just the fates of characters but those of books themselves? Is it possible, in other words, for a critic to say nice things in ways that don’t make you want to gnaw through your own wrists?
Paraic O’Donnell via Irish Times
First *real* snow of the season.
Stylometry is the application of the study of linguistic style, usually to written language, but it has successfully been applied to music and to fine-art paintings as well.
Stylometry is often used to attribute authorship to anonymous or disputed documents. It has legal as well as academic and literary applications, ranging from question of the authorship of Shakespeare’s works to forensic linguistics.
In one such method, the text is analyzed to find the 50 most common words. The text is then broken into 5,000 word chunks and each of the chunks is analyzed to find the frequency of those 50 words in that chunk. This generates a unique 50-number identifier for each chunk. These numbers place each chunk of text into a point in a 50-dimensional space. This 50-dimensional space is flattened into a plane using principal components analysis (PCA). This results in a display of points that correspond to an author’s style. If two literary works are placed on the same plane, the resulting pattern may show if both works were by the same author or different authors.
Bring on the snow.
I picked up an envelope that had to be hand-delivered and stalked out of the building. I was in one of those moods where you are so frustrated you forget where you are for long stretches of time, carrying on imaginary conversations in which you try so hard to defend or explain yourself that you even start talking out loud without realizing it. I was doing exactly that when I heard a quiet, firm voice say, “That’s a poor walk, young man.”
I stopped in my tracks. Was it in my head or did somebody actually talk to me? I turned around and saw an extremely old man wearing a black felt hat, a full-length black wool coat and black shoes polished to a mirror finish. He was standing in front of the library as if waiting for someone to pick him up. He stood ramrod-straight had his gaze fixed directly in front of him.
Nearly 2,500 workers walked off their jobs Thursday morning from seven Marriott hotels in downtown San Francisco to demand higher wages, workplace safety and job security.
Picket lines formed outside the Courtyard by Marriott Downtown, the Marriott Marquis, the Marriott Union Square, the Palace Hotel, the St. Regis, the W and the Westin St. Francis, according to Unite Here Local 2, a union that represents 89 percent of the workers.